Katerina la Greca – Embrujo Flamenco Powerful flamenco performance by international solo artist – emotional, elegant.

Stage / Performance Area:

Minimum performance space: 4m x 3m (for portable flamenco floor and footwork)

Ideal space: larger stages allow for enhanced visual effects (e.g. long train dress, large shawl throws, extended movement sequences)

Flat, even surface required for safety

Indoor or outdoor stage must be clean, stable and dry

Ceiling height:

Minimum ceiling height: 3.5 meters recommended
(for choreography using a long shawl or bata de cola)

Sound / Music:

I can bring my own sound system for small to medium venues (on request)

For larger venues: 1–2 powered speakers + audio input (mini jack or XLR)

My performance uses professionally produced playback music or optional live musicians

Lighting:

Basic white light is sufficient

If available, warm or dramatic lighting enhances the show

Setup time:

30–45 minutes setup time required (floor, sound check, costume prep)

Transport:

I travel with a custom wooden flamenco floor (4m x 3m) and portable gear

One parking space.

We need to know any directions that will help us find the venue and find the right place to load in our equipment. We’d also need to be informed if there’s a sound limiter in the venue.

Sound / Music:

I can bring my own sound system for small to medium venues (on request)

For larger venues: 1–2 powered speakers + audio input (mini jack or XLR)

My performance uses professionally produced playback music or optional live musicians

Yes – I can provide a curated Spotify or DJ playlist before and between my sets upon request. This helps create a seamless experience and maintain the atmosphere between performances.

I bring my own device (and adapter) – venue must provide sound system or input access.

Every performance has its own magic, but one that stands out was my solo production at the Philharmonie in Cologne. Dancing there, with my own music and choreography, in front of a full house, felt like a celebration of everything I had worked for over the years.

Another unforgettable moment was performing "PANDEMIA" – an award-winning piece that fused flamenco with contemporary dance and film – at an international dance film festival in Toronto. The intensity in the room was something I’ll never forget.

Each venue brings something different: from grand stages like opera houses and theatres across Germany to intimate tablaos and site-specific performances. The most meaningful gigs are always those where the connection with the audience becomes truly electric.

love events where there’s a deep connection between performer and audience – whether that’s an intimate stage under the stars or a grand theatre with full lighting and sound.

But my favorite type of event?
One where the energy in the room shifts – where people feel something powerful, unexpected, and real. Flamenco has that magic. Whether it’s a cultural festival, a hotel show, a private celebration, or a contemporary art event, I bring my whole self to the stage.

I especially enjoy events where I can tailor the experience: short, fiery sets or full-length shows – traditional flamenco, modern fusion, or something in between. When the audience feels the rhythm in their bones... that’s when I know I’m in the right place.

I started performing at a very young age, first through theatre and contemporary dance, before flamenco found me – or maybe I found it. Its intensity, its truth, its power… it changed everything.

Over the last 10+ years, I’ve worked as a soloist and choreographer across Europe, especially in Germany, where I created and performed full-length productions in opera houses, philharmonic halls, theatres, and tablaos. Many of my shows combined flamenco with world music, jazz, and even film – and some have received international awards.

My first “gig” in the truest sense was a small independent festival, where I danced on a wooden board under the stars. From that moment, I knew: This is where I’m meant to be – on stage, telling stories with my body, my rhythm, and my heart.
Today, I continue to perform solo, collaborate with musicians and interdisciplinary artists, and bring flamenco’s raw beauty to all kinds of events – from elegant hotel shows to powerful cultural performances.

I find it almost impossible to name one favourite artist or one greatest song – because my work is nourished by many disciplines, cultures, and voices. What truly inspires me are artists who are socially engaged – who use their art not just to perform, but to connect, question, and move people toward a more conscious, peaceful, and compassionate world. Early on, I had the privilege of learning under Pina Bausch, who showed me how to turn vulnerability into strength – and how to dance with the soul, not just the body.
I’ve also been deeply shaped by my Flamenco maestros, from Matilde Coral (may she rest in peace) to Israel Galván, Rocío Molina, and many others who have redefined the art form through both mastery and bold experimentation.
My influences also extend to theatre, cinema, and contemporary performance – but above all, I’m inspired by those who believe in the power of art to unite people across borders. As for the “greatest song of all time”?To me, that song changes constantly

We typically arrive at least 2 hours before the performance to allow enough time for setup, warm-up and, if required, a soundcheck. Every stage is different, and we like to adapt carefully to the space and the technical conditions.

For larger formats (e.g. trio or quartet), we may need a longer setup and soundcheck time, depending on the technical complexity.

That said, we are always flexible and happy to find solutions based on the event's schedule and needs – whether that means arriving earlier or adjusting the setup. We believe in working closely with organizers to ensure everything runs smoothly and professionally.

As a Flamenco dancer and percussive artist, it’s important for me to have a safe and resonant surface to dance on. For this reason, I usually bring my own professional Flamenco floor (4x3m wooden surface), which allows me to perform outside without risk of injury and with full artistic expression.

I’m flexible and happy to adapt to different settings, but ideally the surface should not be marble or stone, as it can be dangerous for footwork and movement.

If needed, I’m always open to finding the best solution together with the organiser – because the most important thing is creating a magical and safe experience for everyone.

My show is a choreographed performance with a clear artistic concept and structure, designed to deliver a powerful and emotional journey through Flamenco and its modern fusions.

That said, I’m flexible and open to including custom elements, short improvised sequences, or adapting certain themes if discussed in advance. I’m also happy to offer encores or spontaneous moments of interaction when the atmosphere calls for it.

Each performance can be adjusted to suit the occasion – as long as the artistic integrity of the work is respected, we can find beautiful ways to make every event unique.

Clients often describe my performances as deeply emotional, powerful, and unforgettable – a unique blend of technical precision and raw artistic soul.

They highlight the intensity of my expression, the charisma I bring to the stage, and the ability to create a strong emotional connection with the audience – no matter the setting.

Whether in a grand theatre or an intimate event, I am praised for delivering authentic, passionate, and inspiring performances that leave people touched, uplifted, and sometimes even in tears.

My performance blends traditional Flamenco with world music, jazz, and experimental sounds, creating an intense and emotionally rich experience. With strong theatrical elements, storytelling, and improvisation, each show becomes a journey – not just a dance.

Yes. I can perform on small or large stages, indoors or outdoors. I bring my own special wooden Flamenco floor (4x3m) and sound system if needed. Whether for an intimate setting or a big event – we’ll find the perfect format together.