Available to book from POA. For an accurate quote please make an enquiry.
As a professional organist in the Principality of Monaco, I offer live music services for weddings, concerts, church masses, and funeral ceremonies, both religious and civil. With extensive experience in sacred and classical repertoire, I ensure each performance is elegant, heartfelt, and perfectly suited to the occasion. My goal is to create an atmosphere of beauty and reflection through music — whether it’s the grandeur of a wedding procession, the intimacy of a memorial service, or the solemnity of a religious mass.
I can perform both solo or in collaboration with other professional musicians such as a violinist or a soprano, enriching the musical experience with harmonies and expressive melodies. The repertoire can range from classical masterpieces by Bach, Mozart, and Schubert to modern and sacred compositions, always adapted to the preferences of the family or event organizers.
Each service is personalized with great care and professionalism, offering the Principality of Monaco the finest in live organ music for every meaningful moment.
= free travel (up to 4170 miles)
Johann Sebastian Bach – Toccata and Fugue in D minor, BWV 565
Johann Sebastian Bach – Passacaglia & Fugue in C minor, BWV 582
Charles‑Marie Widor – Toccata from Symphony No.5
Léon Boëllmann – Toccata from Suite Gothique, Op.25
Olivier Messiaen – La Nativité du Seigneur
Franz Liszt – Prelude & Fugue on B‑A‑C‑H, S.260
César Franck – Chorale No.2 in B minor, Op.39
Dieterich Buxtehude – Passacaglia in D minor, Bux161
Johann Sebastian Bach – Fantasia & Fugue in G minor, BWV 542
Philip Glass – The Hours (organ transcription)
Judith Lang Zaimont – Chaconne (organ)
Rachael O’Brien – In the Midst of Life
Johann Sebastian Bach – Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach – Prelude & Fugue in D major, BWV 532
Johann Sebastian Bach – Clavier‑Übung III, BWV 552
Maurice Duruflé – Prélude et Fugue sur le nom d’Alain, Op.7
Jehan Alain – Litanies
Max Reger – Introduction, Passacaglia and Fugue in E minor, Op.127
Jean Langlais – Messe solennelle
Steve Reich – Four Organs
Johann Sebastian Bach – Orgelbüchlein: Nun komm, der Heiden Heiland, BWV 599
Felix Mendelssohn – Sonata No.6 in D minor, Op.65
Dieterich Buxtehude – Praeludium in G minor, BuxWV 149
Johann Pachelbel – Chaconne in F minor
Georg Muffat – Apparatus musico-organisticus, Prelude No.1
Charles-Marie Widor – Symphony No.6, Toccata
Camille Saint-Saëns – Organ Symphony No.3 (finale transcription)
Louis Vierne – Carillon de Westminster, Op.54 No.6
Louis Vierne – Symphony No.1, Op.14
Marcel Dupré – Cortège et Litanie, Op.19
Johann Sebastian Bach – Prelude & Fugue in E-flat major, BWV 552
Johann Sebastian Bach – Trio Sonata No.1 in E-flat major, BWV 525
César Franck – Chorale No.1 in E major, Op.18
Johann Sebastian Bach – Prelude in C major, BWV 531
Franz Liszt – Fantasy and Fugue on the Chorale “Ad nos, ad salutarem undam”
Jehan Alain – Trois Danses
Maurice Duruflé – Prélude et Fugue sur le nom d’Alain, Op.7
Louis Vierne – Offertoire, Op.31 No.2
Max Reger – Phantasie und Fuge in G minor, Op.135b
Johann Sebastian Bach – Concerto for Organ in D minor, BWV 596
Dieterich Buxtehude – Fuga in G minor, BuxWV 148
Johann Pachelbel – Chorale Prelude “O Lamm Gottes, unschuldig”
Charles-Marie Widor – Symphony No.5, Allegro
Olivier Messiaen – Les Corps Glorieux
Jean Langlais – Divertissement sur un Noël breton
Johann Sebastian Bach – Fugue in A minor, BWV 543
Felix Mendelssohn – Sonata No.4 in B-flat major, Op.65
Louis Vierne – Pièce Symphonique, Op.31 No.1
Marcel Dupré – Prelude and Fugue in B major, Op.7 No.1
Johann Sebastian Bach – Prelude & Fugue in G major, BWV 541
César Franck – Chorale No.3 in A minor, Op.23
Max Reger – Chorale Fantasie on “Ein feste Burg” Op.27
Johann Sebastian Bach – Toccata in F major, BWV 540
Dieterich Buxtehude – Praeludium in F major, BuxWV 144
Louis Vierne – Symphony No.2, Op.20
Charles-Marie Widor – Symphony No.1, Allegro
Jean Langlais – Procession du Saint-Sacrement
Jehan Alain – Litanies pour l’office de la Vierge
Johann Sebastian Bach – Prelude & Fugue in C minor, BWV 546
Maurice Duruflé – Prélude et Fugue sur le nom d’Alain, Op.7
Johann Sebastian Bach – Prelude & Fugue in A minor, BWV 543
Felix Mendelssohn – Sonata No.1 in F minor, Op.65
Olivier Messiaen – Le Banquet Céleste
Louis Vierne – Carillon de Westminster
Marcel Dupré – Cortège et Litanie, Op.19
Max Reger – Fugue in D minor, Op.85 No.16
Johann Sebastian Bach – Prelude & Fugue in F minor, BWV 534
Dieterich Buxtehude – Praeludium in E minor, BuxWV 142
Johann Pachelbel – Chorale Prelude “Christ lag in Todesbanden”
Charles-Marie Widor – Toccata from Symphony No.6
César Franck – Chorale No.2 in B minor, Op.39
Jehan Alain – Trois Danses pour orgue
Jean Langlais – In Paradisum
Johann Sebastian Bach – Orgelbüchlein: Ach wie flüchtig, ach wie nichtig, BWV 26
Felix Mendelssohn – Sonata No.6 in D minor, Op.65
Louis Vierne – Symphony No.3, Op.28
Marcel Dupré – Prelude and Fugue in G minor, Op.7 No.2
Olivier Messiaen – Les Yeux dans les Roues
Max Reger – Chorale Fantasia on “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach – Prelude & Fugue in E minor, BWV 548
Dieterich Buxtehude – Praeludium in C major, BuxWV 137
Johann Pachelbel – Chorale Prelude “Von Gott will ich nicht lassen”
Charles-Marie Widor – Symphony No.4, Allegro
César Franck – Chorale No.1 in E major, Op.18
Jehan Alain – Deuxième Fantaisie
Jean Langlais – Hymne à la Sainte Vierge
Johann Sebastian Bach – Fugue in B-flat major, BWV 560
Felix Mendelssohn – Sonata No.5 in D minor, Op.65
Louis Vierne – Offertoire, Op.31 No.2
Marcel Dupré – Prelude and Fugue in F-sharp minor, Op.7 No.3
Olivier Messiaen – Diptyque
Max Reger – Fugue in F-sharp minor, Op.135a
Johann Sebastian Bach – Toccata in D major, BWV 532
Dieterich Buxtehude – Praeludium in A minor, BuxWV 150
Johann Pachelbel – Chorale Prelude “Ich ruf zu dir, Herr Jesu Christ”
Charles-Marie Widor – Symphony No.3, Allegro
César Franck – Chorale No.3 in A minor, Op.23
Jehan Alain – Nocturne
Jean Langlais – Marche Pontificale
Johann Sebastian Bach – Prelude & Fugue in B minor, BWV 544
Johann Sebastian Bach – Fantasia in G minor, BWV 542
Dieterich Buxtehude – Praeludium in D minor, BuxWV 144
Johann Pachelbel – Chorale Prelude “Jesus Christus, unser Heiland”
Charles-Marie Widor – Toccata from Symphony No.4
César Franck – Chorale No.1 in E major, Op.18
Louis Vierne – Symphony No.4, Op.32
Olivier Messiaen – Apparition de l’église éternelle
Marcel Dupré – Prelude and Fugue in E minor, Op.7 No.4
Max Reger – Chorale Fantasia on “Allein Gott in der Höh’ sei Ehr’”
Johann Sebastian Bach – Prelude in G major, BWV 541
Felix Mendelssohn – Sonata No.2 in C minor, Op.65
Jean Langlais – Messe pour le Temps de Noël
Jehan Alain – Litanies
Johann Sebastian Bach – Toccata in F minor, BWV 540
Dieterich Buxtehude – Praeludium in E minor, BuxWV 141
Johann Pachelbel – Chorale Prelude “Vater unser im Himmelreich”
Charles-Marie Widor – Symphony No.2, Allegro
César Franck – Chorale No.2 in B minor, Op.39
Louis Vierne – Symphony No.5, Op.47
Olivier Messiaen – Messe de la Pentecôte
Marcel Dupré – Cortège et Litanie, Op.19
Max Reger – Phantasie und Fuge in C minor, Op.57
Johann Sebastian Bach – Prelude & Fugue in C major, BWV 531
Felix Mendelssohn – Sonata No.3 in A minor, Op.65
Jean Langlais – Évocation
Jehan Alain – Trois Danses
Johann Sebastian Bach – Prelude & Fugue in E minor, BWV 533
Dieterich Buxtehude – Fugue in C major, BuxWV 137
Johann Pachelbel – Chorale Prelude “Ach Gott und Herr”
Charles-Marie Widor – Toccata from Symphony No.1
César Franck – Chorale No.3 in A minor, Op.23
Louis Vierne – Carillon de Westminster, Op.54 No.6
Olivier Messiaen – Les Corps Glorieux
Marcel Dupré – Prelude and Fugue in F minor, Op.7 No.2
Max Reger – Fugue in D minor, Op.85 No.16
Johann Sebastian Bach – Prelude & Fugue in F minor, BWV 534
Dieterich Buxtehude – Praeludium in C major, BuxWV 137
Johann Pachelbel – Chorale Prelude “O Lamm Gottes, unschuldig”
Charles-Marie Widor – Symphony No.3, Allegro
César Franck – Chorale No.1 in E major, Op.18
Jehan Alain – Deuxième Fantaisie
Jean Langlais – Hymne à la Sainte Vierge
Johann Sebastian Bach – Fugue in B-flat major, BWV 560
Felix Mendelssohn – Sonata No.5 in D minor, Op.65
Louis Vierne – Offertoire, Op.31 No.2
Marcel Dupré – Prelude and Fugue in F-sharp minor, Op.7 No.3
Olivier Messiaen – Diptyque
Max Reger – Fugue in F-sharp minor, Op.135a
Johann Sebastian Bach – Toccata in D major, BWV 532
Dieterich Buxtehude – Praeludium in A minor, BuxWV 150
Johann Pachelbel – Chorale Prelude “Ich ruf zu dir, Herr Jesu Christ”
Charles-Marie Widor – Symphony No.3, Allegro
César Franck – Chorale No.3 in A minor, Op.23
Jehan Alain – Nocturne
Jean Langlais – Marche Pontificale
Johann Sebastian Bach – Prelude & Fugue in B minor, BWV 544
Felix Mendelssohn – Sonata No.6 in D minor, Op.65
Louis Vierne – Symphony No.6, Op.59
Marcel Dupré – Cortège et Litanie, Op.19
Olivier Messiaen – Les Yeux dans les Roues
Max Reger – Chorale Fantasia on “Ein feste Burg” Op.27
Johann Sebastian Bach – Orgelbüchlein: Nun komm, der Heiden Heiland, BWV 599
Dieterich Buxtehude – Passacaglia in D minor, BuxWV 161
Johann Pachelbel – Chorale Prelude “Christ lag in Todesbanden”
Charles-Marie Widor – Toccata from Symphony No.6
César Franck – Chorale No.2 in B minor, Op.39
Jehan Alain – Litanies pour l’office de la Vierge
Jean Langlais – Divertissement sur un Noël breton
Johann Sebastian Bach – Fugue in A minor, BWV 543
Felix Mendelssohn – Sonata No.4 in B-flat major, Op.65
Louis Vierne – Pièce Symphonique, Op.31 No.1
Marcel Dupré – Prelude and Fugue in B major, Op.7 No.1
Olivier Messiaen – Le Banquet Céleste
Max Reger – Phantasie und Fuge in G minor, Op.135b
Johann Sebastian Bach – Concerto for Organ in D minor, BWV 596
Dieterich Buxtehude – Fuga in G minor, BuxWV 148
Johann Pachelbel – Chorale Prelude “O Lamm Gottes, unschuldig”
Charles-Marie Widor – Symphony No.5, Allegro
César Franck – Chorale No.1 in E major, Op.18
Louis Vierne – Offertoire, Op.31 No.2
Jehan Alain – Trois Danses
Jean Langlais – Messe solennelle
Johann Sebastian Bach – Prelude & Fugue in G minor, BWV 542
Felix Mendelssohn – Sonata No.2 in C minor, Op.65
Louis Vierne – Symphony No.2, Op.20
Marcel Dupré – Prelude and Fugue in G minor, Op.7 No.2
Olivier Messiaen – Les Corps Glorieux
Max Reger – Fugue in D minor, Op.85 No.16
Johann Sebastian Bach – Prelude & Fugue in F minor, BWV 534
Dieterich Buxtehude – Praeludium in E minor, BuxWV 142
Johann Pachelbel – Chorale Prelude “Von Gott will ich nicht lassen”
Charles-Marie Widor – Symphony No.4, Toccata
César Franck – Chorale No.2 in B minor, Op.39
Jehan Alain – Litanies
Jean Langlais – In Paradisum
Johann Sebastian Bach – Orgelbüchlein: Ach wie flüchtig, ach wie nichtig, BWV 26
Felix Mendelssohn – Sonata No.6 in D minor, Op.65
Louis Vierne – Symphony No.3, Op.28
Marcel Dupré – Prelude and Fugue in G minor, Op.7 No.2
Olivier Messiaen – Les Yeux dans les Roues
As an organist, my basic technical requirements depend on the type of ceremony or event. Ideally, the venue should provide a well-maintained pipe or digital organ with at least two manuals (keyboards) and a pedalboard in full working order.
If no organ is available, I can bring a professional digital keyboard or stage piano with amplification. In that case, I’ll need:
A power outlet near the performance area.
A stable bench or table for the instrument.
If possible, access to the venue 30–45 minutes before the event for setup and sound check.
When performing with other musicians (such as a violinist or soprano), we may also need a music stand and enough space to perform comfortably near the instrument.
To prepare properly for a performance, I usually require some basic information about the venue. This helps ensure that everything runs smoothly and that the music fits the space perfectly.
I generally need to know:
Whether there is a pipe organ or digital organ available, and its type, condition, and location within the venue.
If no organ is available, whether there is space and power access for a portable digital piano or keyboard.
The layout of the venue, especially where the musicians will be positioned in relation to the audience or altar.
The acoustic characteristics of the space (for example, whether it is highly resonant or needs amplification).
The schedule of the event, including rehearsal time and when the venue will be open for setup.
The contact person on site (such as the event coordinator, priest, or manager).
Only PA sistem
No
One of the most memorable performances of my career was a wedding ceremony in Monte Carlo, held in a beautiful historic church overlooking the sea. The atmosphere was truly unique — the organ’s sound filled the space with warmth and depth, perfectly complementing the soprano and violinist who performed with me. The couple had chosen a refined repertoire, including pieces by Bach, Schubert, and Morricone, which made the ceremony deeply emotional and unforgettable.
My favourite type of event is one where music truly becomes part of the atmosphere — where it helps people feel and remember the moment. I particularly love performing at weddings and sacred ceremonies, because the organ’s sound adds a deep emotional and spiritual dimension to those occasions.
At weddings, I enjoy creating a sense of beauty and celebration through elegant and expressive music. At funerals or memorial services, I find great meaning in offering comfort and reflection through peaceful and solemn pieces.
Whether it’s a concert, a mass, or a private ceremony, I appreciate every opportunity to share the expressive power of the organ and to connect with people through music.
I began studying the organ and piano at a young age and later earned my degree in organ performance from the conservatory. Over the years, I’ve performed in churches, cathedrals, and concert halls across Italy and abroad, accompanying weddings, funerals, religious services, and classical concerts.
My first gigs came naturally through my work in local churches, where I started playing for regular Masses and ceremonies. From there, word of mouth led to more requests for weddings and special events, and gradually I built a professional career as a freelance organist and pianist.
Today, I collaborate with sopranos, violinists, and other musicians, offering live music for both religious and civil ceremonies. Each performance is a chance to bring elegance, emotion, and professionalism to an important moment in people’s lives.
As an organist, I’ve been deeply influenced by the great masters of classical and sacred music — Johann Sebastian Bach, above all, for his spiritual depth and perfect balance between harmony and architecture. I also admire César Franck and Olivier Messiaen, whose music explores profound emotion and mysticism through sound and color.
Among contemporary artists, I appreciate composers like Ennio Morricone for the way he combines simplicity, beauty, and emotional power — qualities that I always try to bring into my own performances.
If I had to choose a single favourite artist, it would be Bach, because his music speaks directly to both the intellect and the soul. And for me, the greatest piece of all time is his Toccata and Fugue in D minor, a masterpiece that captures the essence of the organ — majestic, spiritual, and timeless.
Yes, I frequently collaborate with other professional musicians, such as sopranos, violinists, flutists, and choirs. Working with additional musicians allows me to create a richer and more expressive musical experience, whether for weddings, concerts, or religious ceremonies. I carefully coordinate repertoire, timing, and dynamics to ensure a seamless and harmonious performance. Collaborations also allow for customized arrangements tailored to the client’s preferences, adding a unique and elegant touch to every event.
My setup and performance times depend on the type of event and the instrument available.
For ceremonies or concerts where an organ is already present, setup is usually very quick — I typically arrive 30 to 45 minutes before the event to check the instrument, adjust registration, and warm up.
If I’m bringing my own digital piano or keyboard, I usually need about 45 to 60 minutes for setup, sound check, and tuning the balance with other musicians, such as a soprano or violinist.
Performance times vary depending on the event:
Weddings: around 30–60 minutes of live music during the ceremony.
Funerals or memorials: about 30–45 minutes.
Concerts or special events: 45–90 minutes, depending on the program.
Punctuality and preparation are always a priority — I make sure everything is ready in advance so that the music begins smoothly and on time.
Yes, I’m happy to perform outdoors when the conditions are suitable. For open-air ceremonies or events, I can provide a professional digital piano or keyboard with amplification, ensuring a rich and balanced sound even outside a church or concert hall.
However, to protect the instrument and guarantee the best performance quality, I do require:
A covered or shaded area, protected from direct sunlight, wind, or rain.
Access to a power outlet near the performance space.
A flat and stable surface for setting up the instrument and equipment.
Outdoor performances can be truly special — the natural setting often adds warmth and beauty to the music — as long as the practical conditions allow for good sound and safety.
Clients absolutely have a say in what I play. While I have a wide repertoire of classical, sacred, and contemporary pieces, I always work with each client to choose the music that best fits their ceremony or event.
For weddings, funerals, or special events, I can suggest pieces that are traditional, modern, or custom-tailored, and I’m happy to learn specific requests whenever possible. My goal is to create a personalized and meaningful musical experience that reflects the client’s preferences while maintaining elegance and professional quality.
Previous clients most commonly describe my performances as elegant, emotional, and highly professional. They often comment on the way the music enhances the atmosphere of the event, whether it’s a wedding, a funeral, a religious service, or a concert.
Many clients appreciate my attention to detail, timing, and adaptability, as well as the ability to collaborate smoothly with other musicians, such as a violinist or soprano, to create a seamless and moving experience. Overall, people say that my music adds a touch of beauty and refinement, making each occasion truly memorable.
Principality of Monaco – Wedding Ceremony, Monte Carlo
St. Nicholas Cathedral, Monaco – Christmas Concert
Villa Ephrussi de Rothschild – Private Event, French Riviera
Hôtel de Paris, Monte Carlo – Gala Dinner
Church of Saint-Charles, Monte Carlo – Funeral Service
Monte Carlo Philharmonic Society – Organ Recital
Château de la Colle Noire – Wedding Ceremony
Cathédrale de Monaco (Saint Nicholas Cathedral), Monte Carlo
Église Sainte-Dévote, Monaco
Chapelle de la Visitation, Monte Carlo
Église Saint-Charles, Monte Carlo
Chapelle de la Paix, Monaco
Villa Ephrussi de Rothschild, French Riviera
Hôtel de Paris Monte-Carlo – Gala dinners and private events
Monte Carlo Opera House – Concerts and recitals
Monte Carlo Philharmonic Hall – Classical concerts
Château de la Colle Noire, Provence – Private weddings
Église Saint-Martin, Menton
Église Saint-Michel, Beausoleil
Chapelle des Pénitents Blancs, Nice
Chapelle Saint-Pierre, Cap d’Ail
Villa La Vigie, Cap Ferrat – Exclusive events
Palais Princier de Monaco – Private chapel ceremonies
Église Notre-Dame-Immaculée, Monaco-Ville
Chapelle de la Miséricorde, Monaco
Église Sainte-Marie, Monaco
Villa Kérylos, Beaulieu-sur-Mer – Cultural events
Église Saint-Joseph, Menton
Chapelle Saint-Bernardin, Monaco
Villa Les Cèdres, Saint-Jean-Cap-Ferrat – Weddings and concerts
Église Saint-Paul, Monte Carlo
Chapelle Saint-Antoine, Monaco
Wedding
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