Circus Karakasciò
"came across Circus Karakascio during the Carnival in Rome and they genuinely impressed me. It’s not just about beautiful visuals or impressive acts: there’s real substance, presence, and a strong artistic identity behind what they do.
They are true artists, able to bring energy, smiles and a sense of celebration in every moment, constantly engaging the audience. The atmosphere they create feels alive and authentic, and it stays with you even after the performance ends.
Professional, but above all human. They added real value to the event , not just visually, but emotionally. I would like to work with them in the future."
25th March 2026
James Carter - Rome Carnival – Public Event
Kokorikochakalakabombom
"amazing smile, absolute unit of a man, 100% recommend, only accepts pay in pancakes."
kat - nothing lol
Ilan The Robotic Man
"The evening went off brilliantly and that was thanks to Ilan. He was totally successful in engaging and charming both children and adults alike, all who have been raving about him ever since."
Bernice & Ian - Barmitzvah
Tarekito Clown
"nominated for the CIRCUBA International Festival 2021 for having a unique musical number of its kind"
Circuba Presenta - Festival Internacional CIRCUBA
MIMIRICHI Clowns
"MimiRichi-Paper World in Beijing will be held at Beijing Youth Theatre.
Before their appearance on the world scene, the MimiRichi toured the territory of the Soviet Union. Victories and prizes gained at different festivals and competitions have brought a huge popularity to actors.
They were granted the status of professional Theatre in the 1989. In 1991 they were included into the World Clown Association in Bognor Regis (Great Britain).The professionalism of the Theatre has been confirmed by the Gold Prize obtaining at the 1-st International Contest of Actors of a Variety show in Stuttgart. This event influenced the direction of their creative work. Later there were other countries and the competitions, new awards and the achievements, memorable meetings and joint performances with “Mini-Max”, Dimitri, Olli, Hardy Hatter, Jango Edwards, “Kolombaoni”, Polunin, “Licedei” and many other stars of the present.
The MimiRichi name means a rich mimicry and plastic, they help actors not only to attract attention but also to be various in their shows in any country of the world, irrespective of an age category. The MimiRichi theatre of a plastic comedy has already obtained world recognition, touring and continuing to give concerts in the Europe, South America, Japan, Germany and other countries.
A white sheet of paper is always considered a symbol of endless creative abilities, which gives an incredible freedom to the imagination. Many works of art begin with a clean sheet of paper. Mimirichi theatre proves that a sheet of paper conceals no fewer opportunities for the theatre. In their production Paper World it is transformed into a great source of acting and improvisation. That simply delights in being able to create their paradoxical images almost out of nothing."
en.damai.cn - MimiRichi-Paper World in Beijing
MIMIRICHI Clowns
"This isn’t the most sophisticated show on the Fringe and, strictly speaking, it is really a show for kids. But it is, without question the most enjoyable and almost impossible not to love unless misanthrope is your middle name.
It starts behind a massive paper backdrop, as four clowns loom in silhouette. Soon they appear on stage and engage in a bit of conventional banter and knockabout comedy, with one of them - long hair, doleful face - clearly the stooge for the other’s mischief.
At one stage, one of the clowns tries to read a map, borrows a pair of glasses from a member of the audience, gives them back to the wrong person, and, in turn, gives their glasses to someone else and suddenly a good 16 people are trying to retrieve their glasses from complete strangers. Our mischievous hosts meanwhile have moved on with the show.
You can scoff all you like at fancy notions of breaking down boundaries between audience and performers, but when it works, there’s truly nothing better, and there is no greater proof for that than Mimirichi.
By the time the clowns have ripped the set into vast armfuls of shredded paper and advanced towards the audience, it is clear what is to come and the audience is ready for what must be the biggest paper fight ever to have graced an auditorium. Later they will cower behind a paper goalpost as one clown arranges an impromptu penalty shoot-out complete with massive paper football and a goalie plucked from the front row.
At heart, Mimirichi celebrate the human capacity for playing - the clowns engage in several slapstick vignettes that celebrate the transformative powers of paper (they use it to create horses, monsters, an Arabian belly dancer). One of them, meanwhile, develops a despotic appetite, and, dressed as a king, clambers through the audience throwing articles of clothing into his belly.
Beneath the fun and games there is something profound - and profoundly moving - going on, crystalised in the tremendous finale. Quite simply, the show’s big heart puts you in touch not just with your own humanity, but with that of your fellow man."
Claire Allfree - THEATRE REVIEW