Read 26468 genuine customer reviews to help you book with confidence!
"Joe was great in every way from booking to performing! He arrived punctually to my mums 90th birthday party and delighted and fascinated all guests of a wide variety of ages. A charming young man who I would highly recommend! Thank you, Joe! (Already been asked to pass your details on to a couple of other people!)"
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"We wanted something specific for our movie themed wedding, and N2S were the right choice!"
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"An incredible experience! The Great Giani was all that we hoped for and more! Giani was invited to be a panelist for a panel discussion series held in our theater space. Having never dealt with a mentalist, we did not know what to expect. Giani was entertaining, engaging, and insightful; a magical addition to our panel! I would highly recommend the Great Giani for your next event or gathering! "
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"Incredible all round! Andrew was brilliant to work with, and made organising the event a dream. He kept the crowd entertained, up and dancing all night, and made for really excellent entertainment- could not recommend more!"
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"From the first contact to the final performance, every detail was meticulously handled. The group brought a magical, refined atmosphere to our wedding. Their operatic music moved every guest, making our day truly special."
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"DJ Miro absolutely crushed it at our wedding in Hvar (June 2023)! The dance floor was packed from start to finish, and we could not have been happier. I would absolutely recommend DJ Miro for anyone that wants to have a lively dance floor at their wedding/event. He really knows how to get the crowd going, and he also brings so much great energy. Thank you Miro!!"
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"Hi Nikos, I hope you are well. I know it has been a few weeks since our wedding, but I just wanted to send you an email to tell you how much I enjoyed having you as our DJ. You did a fantastic job and I really loved your energy and enthusiasm. So many guests have said how much they enjoyed the evening too, so thank you so much for being such a brilliant DJ. If you want me to leave feedback for you then let me know how and I would be happy to do so. Thank you so much, Natalie and Aiden "
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"We used DJ WeekN for a private graduation party! He was very easy to communicate with, arrived well in advance to the event and allowed everyone to have a fantastic time! I will definitely consider him for future event."
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"Great!!! Sounds fantastic! Great stage presence! Went to a gig in Charlotte, it was shoulder to shoulder!"
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"Giulia is a really amazing violin player. She played for last conference I organized in front of 150 people in a hystorical builgind of Padova. She performed 10 minutes of classical music during a musical break excellently! "
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"An unforgettable moment in the priory of Rauzet on a beautiful day in September. Thanks a lot !"
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" Do you know about good music? Sabe usted de la buena música? If you do, you will enjoy the calid and inspiring music of doctor José Luis Hinojosa saxophone. If you don't , this is your chance to learn and enjoy it. Si sabe de ella, sin duda disfrutará usted de la música cálida e inspiradora del saxofón del doctor José Luis Hinojosa. Si no, esta es su oportunidad de aprender y disfrutar de ella.."
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"Serendipity is what you’re aiming for in Edinburgh: a happy discovery out of the blue. Yes, it sounds like a paradox, like “expect the unexpected”. But up here, you must not just expect it, but welcome it. So if you hear, for instance (in a genu-ine example from a few years ago), of a 15-minute musical about a stewardess called The Jolly Folly Of Polly The Scottish Trolley Dolly playing in a minor venue towards the bottom of the Royal Mile, well, it’s not much time or money, so you’ve nothing to lose by taking a punt on it. And if you’re staggering across the Royal Mile in the small hours and meet a crowd of drunken loud¬mouths, wait for a couple of minutes before writing them off: it could be comedian Arthur Smith’s legendary Alternative Walking Tour. This event, though, is now in semi-retirement following an incident in 2000 when the reeling mob was mistaken for a bunch of nocturnal anti-Ann Widdecombe protesters (no, honestly), which led to the arrest of comic Simon Munnery for assaulting a police offi¬cer . . . “assaulting” in the sense of getting in the way of the cop’s body- charge. (Munnery’s tried and acquittal were amusing, too, but took place outside Festival season.) The true Edinburgh expe-rience is being knocked side-ways by a show, trying to explain it to others and real-ising that there’s no way you can do so and still sound remotely compos mentis, such as the piece about 10 years ago which consisted of a Hungarian woman in a sealed Perspex tank, per¬forming a dance routine whose duration and moves were limited by the available air in the box. If I were to say that last week I was affected beyond words by a Polish theatre company singing the ancient Sumerian Epic of Gilgamesh in the strange polyphonic harmonies of southern Albania, you’d no doubt wonder whether I’ve been getting enough sleep lately. Yet Chronicles: A Lamenta-tion by the Piesn Kozla com-pany is a remarkable piece admirable and impressive, though hardly shattering. And then, walking away from the venue a few min¬utes after it was over, I had to stop in my tracks: I was fighting back tears, for no reason I could identify. Somehow the piece had bypassed the conscious areas of my mind and tapped into the well of basic emotion. Harrowing stuff. But the main discovery of the month so far is altogether more joy-ous: a bunch of Ukrainian paper-tearing clowns: Around 1990, Italian “ori¬gami impressionist” Ennio Marchetto was the hit of the Fringe, performing a series of mime impersonations while wearing amazingly intricate costumes he had constructed out of card¬board. Marchetto returns this weekend for the first time in several years, but he may find his thunder already stolen by the Mim-I- Richi company and their show Paper World. Not that their show is as painstakingly designed . . . dean me, no. They sim¬ply tear loads of plain paper up and play with it. And I mean loads: possibly around an acre of the stuff per show. You walk into the theatre, see a huge paper backdrop and think, “Ah, that’ll be the climax of the show.” Not a bit of it: it’s already in shreds after half an hour, and the fun keeps coming. Mim-I-Richi’s discovery is a simple one: tear paper, crumple it up, and you can pretend it’s just about any-thing: a football, a baby, a maneating monster, what¬ever. It’s the same sort of aesthetic which has informed many of designer Julian Crouch’s projects in the UK with Improbable Theatre, but more endear¬ingly ramshackle. Also like Improbable, Mim-I-Richi relishes the spontaneous and unexpected; it’s that shared delight in the moment which is at the heart of the best clowning. The players go to great lengths to involve the audience in their show, and are happy to take ideas and run with them, even when the “idea” is an uncontroRa- ble little boy in the front row who won’t stop flinging balls of paper back at them. For this isn’t enforced audience participation of the “let’s pretend we’re having fun” kind. The four perform-ers manage to get hundreds of people in the Pod Deco’s main space all pratting about gleefully like kids in a playground; they create an atmosphere of free play that is intensely liberating, and make sure that every single person in the house is car¬ried along. All that without a single word of dialogue. People by the hundred are discovering Mim-I-Richi up here, but that doesn’t make the joy of serendipity any less when you find them yourself."
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"Saw y'all in Philadelphia. That was an awesome experience!! Thank you so much for this show. My dad knew Frankie Beverly and the band but didn't stay in contact with him much after he moved to California. My dad didn't come to this show because he was really upset by Mr Beverly's passing. I brought a friend with me instead. Getting hear Frankie Beverly's music performed live (as someone that wasn't around yet to get that experience back in the day) whewwww was I blown away!!! Everyone did a incredible job and captured the essence of Maze so well-- I watched a couple concert videos on YouTube of them in the 80s. I never couldve comprehended why the love in that room at WCL was so thick from just the concert recordings. What the videos couldn't capture the Performers at this tribute concert went absolutely beyonnnndddd. Every single member was 🔟 /🔟 and you had two TRUE master percussionists on that stage. Tarsha Fitzgerald curated a truly phenomenal experience. 🔥 🔥 Thank you, ATOM 🔥 🔥 🥇"
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"Kendra played the piano at my wedding. She played a beautiful rendention of Ribbon in the Sky, I was blown away. She was on-time and did an awesome job. I would highly recommend her!"
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