Bea Lamelas Aerialist, contortionist, handbalance, acrodance and fire dancer..

In case of a floor act, I don't have any specific requirements, just basic safety precautions.

In case of an aerial act, I would need:
Free safe area of about: 3 x 3 meters
Floor: Plain, clean and free from objects..
Area of performance with restrict access from the public
The performance could be done inside or outside
With a minimum suspension height of 3 meters (though ideal height of suspension is 6 meters with winch)
For the point of suspension:
It should carry a minimum dynamic load of 500kg
Anchor point could be: Truss, welded ring, architectural beam or other structure that can support the minimum load
Facilitate an access to the anchor point: ladder, lift or a technician

In case of outside performance: Check weather forecast for wind and rain (1st check: 1 week before/ 2nd check: 24hours before)

We need to know any directions that will help us find the venue and find the right place to load in our equipment.
Is also important to have information about the exact place for the performance, like kind of floor, the dimension of the area, if the client requested an aerial act, what is the height of the place and if all the technical basic requirements are answered

No, but I have direct contacts of companies who could provide in case of need

No, as I am not a musician, it doens't fall under my services

There are so many that is hard to chose a best one, but let me tell you about the most memorable ones!
I have done a gig for La Fura Del Baus, in the occasion of the Turning On The Lights in Amsterdam, Dam Square to be precise! It was insane the majestic set of the whole event, the magic that was created, I was performing a human net with around 40 performers and we were 40 meters in the air.. Also it was probably the biggest crowd I performed to!
On another occasion I was performing in Japan, in the Little Museum of Man, a show about the culture of my country, and I loved how the crowd received us, they were so kind, and without a doubt the most respectful public that I have encountered.

I love playing on all sorts of events. Though lately I have done mostly cooperative events or dinnershows.

I don't even remember exactly how I started gigging, all my life I have been on a stage or creating stages for my performances. Though my first payed gig I was 15 years old, and I think that was the moment I decided that I really wanted this to be my career, and since then I never stopped.. I developed my skills, through the dance conservatory and later my bachelor in circus arts, and soon after finishing school I have travelled the world performing in thousands of venues with several of my acts.

Someone that has truely inspired my to become a professional circus artist was Olga Pikhienko

I like to arrive at the venue 1 hour before the guest, to be able to do my pre set, rig my equipment when needed and check the performance area.
Then I get ready doing my warm up and last minute details, and after I am ready to perform according to the set booked

Yes, definitely, on my technical requirements, you will find all the needed information to make it happen

Sure, I have several premade acts, but if the event requires something different we can make arrangements to go together with the client needs

Previous clients have described my performances as the cherry on top of the cake, the moment that makes a difference at the event, they described it as breathtaking, elegant, an hypnotic fusion between technique, body expression and visual poetry.