Clara Free Spirit Captivating fire dance performances blending artistry, energy, and precision for

• Minimum performance space: 5m x 5m clear area (outdoor or well-ventilated indoor space)
• Indoor ceiling height: minimum 4m
• Surface: non-slip, non-flammable preferred
• Safe perimeter: at least 2m distance from the audience
• Access to standard sound system for music playback (USB or email)
• Fire extinguisher on-site

• Exact performance location and access details
• Directions for loading in and out of equipment
• Confirmation of space dimensions and surface type
• Indoor height clearance and ventilation
• Any local restrictions or permits for fire performances
• Presence of a sound limiter or volume restrictions

Sound: Music can be provided on USB or by email in advance; requires venue’s PA/sound system
Lighting: No lighting equipment provided — standard stage or ambient lighting required from the venue

No, but background music can be arranged through the venue’s system upon request

Performing at the legendary Ozora Festival in Hungary was an unforgettable experience — the energy of the crowd and the vibrant, creative atmosphere made it truly special. Another highlight was bringing the magic of fire dance to the Paradise Circus in Pai, Thailand, where I both performed and taught in a setting full of passion and artistry.

I love performing at festivals, where the open-air energy, music, and creative spirit merge perfectly with the fire’s visual impact. Weddings and special private events are also a favourite, as they allow me to create a unique, magical moment that guests will remember forever.

I discovered fire dance in Australia, where I began training intensively before performing in Thailand, Polynesia, France, and Hungary. My journey started with small shows and quickly grew to include festivals, nightclubs, and private events around the world. Years of experience have shaped my performances into a blend of technical precision, artistic storytelling, and audience connection.

I’ve been inspired by incredible fire artists such as Tokyo Moreno, whose fire eating work is breathtaking, and Flow Mayhem, a master of rope dart, Jessy Spin for her grâce in dancing. I’ve also drawn inspiration from talented friends and artists I met in Thailand at the circus and during festivals, including Gustavo Olitta and Talon Oday. Recently, I had the chance to meet Grupo Caracol, a troupe of Mexican performers whose creativity and passion deeply inspire me. My favourite artist is Carlos Santana, and for me, the greatest song of all time is Samba Pa Ti — it captures pure emotion and timeless beauty.

I typically arrive 45–60 minutes before the performance to set up and prepare. A standard show can be a single act of 5–20 minutes, or a package of multiple shorter acts (e.g., 3–5 sets of 5–7 minutes each) spread throughout the event. Setup includes safety checks, equipment preparation, and space assessment.

Yes, I love performing outdoors! I only require a flat, level, and non-flammable surface, safe clearance from the audience (minimum 2m), and weather conditions that allow for safe fire performance (no high winds or heavy rain).

Yes, I can adapt music, costuming, and performance style to fit the event’s theme or atmosphere. Clients can choose from my existing repertoire or request a specific style or song in advance.

Mesmerising, powerful, and unforgettable. Clients often highlight the combination of technical skill, elegance, and the magical atmosphere created, a performance that leaves guests in awe and talking about it long after the event.