Creciente Sónica Electronic Live Act performing immersive soundscapes, hardware ambient music.

I require a sturdy performance table (at least 1.5 meters wide) to set up my hardware controllers and synthesizers. In terms of audio connectivity, I need 2 balanced stereo inputs (either XLR or 1/4" TRS) on the venue's main mixer, along with a reliable PA sound system that handles low-end frequencies clearly. Access to at least 2 standard power outlets near the performance table is also required

I need to know the specific load-in and soundcheck schedule, as setting up and routing the hardware routing takes approximately 30 to 45 minutes. Additionally, please let me know if the venue has any strict decibel limits, sound limiters, or specific acoustic constraints, and if there are any particular parking or access instructions for loading electronic gear.

I am fully self-contained regarding my performance backline. I bring all my own hardware synthesizers, MIDI controllers, internal sub-mixers, and necessary audio and power cabling. However, I do not provide the main house PA sound system, monitors, or stage lighting rigs, which must be supplied by the venue.

Yes, I can easily provide a curated background ambient or electronic playlist from a dedicated device to keep the atmosphere seamless before, between, or immediately after the live performance sets. I am happy to tailor the genre mood to complement the venue's specific aesthetic.

As a professional sound engineer and composer, I supply a complete and detailed setlist sheet (repertoire log) right after the booking confirmation. All performed tracks are 100% original electronic music, making it straightforward for venues to report to local performing rights organizations like AKM in Austria or GEMA in Germany without any administrative friction.

One of the most meaningful performances was a custom-designed, 22-minute immersive sound installation and live looping session developed for the Faculty of Law at the Universidad Nacional de Colombia. Crafting a deep, reflective sonic narrative for such an intellectually and architecturally imposing space was an incredible experience that perfectly highlighted how electronic music can interact with institutional and cultural environments.

Alongside this, I have extensive experience performing across prominent venues in the Colombian Caribbean coast, including Mojito and Brisa Tranquila in Guachaca (Magdalena), adapting my hypnotic soundscapes to beachside and electronic club environments. Most recently in 2026, I recorded and performed the BUNACHɄ Live Set from a high-altitude location in Bogotá, capturing an immersive live electronic performance overlooking the entire city skyline, which is currently featured on YouTube.

I absolutely love performing at art gallery openings, museum exhibition nights, cultural institutions, and specialized electronic music listening spaces. These intimate venues allow the audience to truly connect with the evolving analog textures, hardware sequences, and atmospheric narratives of a live set, creating a shared cinematic experience.

With a solid background in sound engineering, music production, and language humanities, my path into live performance naturally grew from an obsession with hardware synthesizers and sonic storytelling. Over the years, I have developed multiple independent EPs, managed educational phonographic projects, and produced immersive listening labs focused on electronic exploration. This journey has allowed me to perform live hardware sets across diverse cultural spaces and digital showcases

My sonic identity is heavily influenced by vanguard electronic pioneers and live-hardware masters who redefine electronic music performance. Artists like Paul Kalkbrenner and Ben Böhmer inspire my approach to building emotional, melodic journeys in real-time, while the hypnotic, organic techno structures of Sebastian Mullaert and the deep sonic explorations of Eitan Reiter shape how I develop evolving patterns. Combined with the atmospheric foundations of architects like Brian Eno and Jon Hopkins, these influences drive me to treat every performance as a living, evolving canvas rather than a standard set

I typically arrive at least 1.5 to 2 hours before the performance begins to set up, secure internal hardware routing, and perform a proper soundcheck. My live sets are highly flexible and usually run for a continuous 60 to 90 minutes. However, depending on the event's concept, the performance can be tailored into a seamless, multi-hour immersive soundscape or divided into two distinct 45-minute sets.

Yes, I am completely comfortable performing at outdoor events, beachside venues, or open-air cultural spaces. My only requirements are a completely dry, flat, and stable surface to set up my instruments, adequate protection from direct sunlight or rain to safeguard the electronic hardware, and a stable, dedicated power source near the performance table.

Every performance is a unique, hardware-driven live set rather than a fixed playback track, allowing for a high degree of adaptability. While I perform my original repertoire and custom electronic compositions, I am happy to coordinate with clients beforehand to align the sonic mood, intensity, and progression—ranging from deep, abstract ambient textures for galleries to driving, hypnotic deep house and electronic rhythms for clubs

Previous clients and curators commonly describe the performances as a deeply immersive, cinematic experience. Audiences often note how the music shifts from hypnotic, reflective atmospheres into compelling electronic grooves, highlighting the captivating energy and visual engagement of seeing electronic music being shaped completely live using hardware synthesizers

Yes, the hardware setup is highly versatile. For art galleries, museum nights, or cultural institutions, the performance focuses on deep soundscapes, field recordings, and immersive cinematic ambient textures. For clubs or open-air festivals, the set seamlessly transitions into a hypnotic, modular deep house and organic electronic progression to engage the dancefloor.