Ricardo Pinto Músico (trompetista) Ricardo Pinto Quintet – Modern Jazz with Cinematic Energy Portuguese trumpet

Basic Technical Requirements

Stage & Space:

Minimum stage area: 4m x 3m (for quintet with instruments and drum kit)

Covered and sheltered stage if outdoors

Sound System & PA:

Professional PA system suitable for live jazz performance

5 channel inputs for trumpet, saxophone, piano, double bass, and drums

High-quality monitor system for musicians

Instruments & Equipment (provided by artist unless otherwise agreed):

Trumpet, alto saxophone (artist’s own)

Acoustic piano or electric piano (if not available, must be provided by venue)

Bass amp for double bass

Drum kit (snare, bass drum, toms, hi-hat, cymbals)

Additional Requirements:

Access to power outlets for piano/electric equipment

Music stands and sheet music lighting

Soundcheck at least 1 hour prior to performance

Quiet backstage or side area for instrument prep

Optional but recommended:

Professional lighting for indoor/outdoor concerts

Basic mixing engineer if available, especially for festivals

Rider de Hospitalidade – [Seu Nome / Act Name]

1. Comitiva / Line-up

[Artista Principal] – voz / instrumento principal

Quinteto / Ensemble – [instrumentos do seu grupo]

Road Manager / técnico de palco

Nota: De acordo com a dimensão do espaço, poderá ser necessário incluir técnico de som, técnico de luz ou músico convidado.

2. Alimentação / Catering

O promotor deverá garantir e custear refeições de qualidade no dia do espetáculo:

Almoço para equipe técnica (ex.: 3 pessoas: técnicos + road manager)

Jantar para toda a comitiva (artista + músicos + técnicos)

As refeições devem incluir: entrada, sopa, prato de carne, peixe e vegetariano, sobremesa, bebidas (água, sumos, refrigerantes, vinho), café e chá

Catering no camarim 2h antes da chegada:

Água mineral (com e sem gás), café, sumos, frutas,

Technical Rider – Ricardo Pinto Quintet “A Sul”

Stage Layout:

Quintet setup with trumpet, piano, double bass, drums, and saxophone/other instruments

1. Microphones & DI
Item Description Notes
a 2 Large-diaphragm condenser mics (e.g., Neumann U87, AKG C414) For trumpet & piano
b 1 Clip-on mic (e.g., DPA 4099) For trumpet
c 2 Small-diaphragm condenser mics (e.g., Neumann KM84, Oktava MK-012) Overhead or cymbals
d 1 Kick drum mic (e.g., Shure Beta 52, EV RE20) Drum kit
e 1 Large-diaphragm condenser mic (Neumann U87, AKG C414) Saxophone / auxiliary instrument
f 1 DI Box For double bass or electric instruments

Notes: All microphones should be high-quality condenser for accurate jazz reproduction.

2. PA System & Monitors

1 mixing console with minimum 10 channels, 5 auxiliaries, and built-in effects

5 stage monitors for musicians

Stereo PA system capable of faithfully reproducing the quintet’s acoustic sound

Optional / Notes:

Any adjustments or substitutions must be approved by the

Yes

Best Gig & Venue (Short Version):
One of my most memorable gigs was the release performance of A Sul (2018) with my quintet, delivering an immersive jazz experience. Among the best venues I’ve played are the Hot Club de Portugal and the Lisbon Music School Auditorium, known for their excellent acoustics and vibrant jazz atmosphere.

Festival , and jazz clubs

Previous Experience & How I Started Gigging

I began my musical journey in Sintra, Portugal, where I studied trumpet and jazz at an early age. I continued my training at the Escola Superior de Música de Lisboa (ESML) and attended masterclasses and workshops with renowned musicians, including Perico Sambeat, Mike Mossman, and Edward Simon.

My first gigs started in local jazz clubs and festivals, gradually expanding to larger venues and collaborations with both Portuguese and international artists. Over the years, I have performed with a variety of ensembles, from quintets to big bands, and participated in studio recordings and live performances with acts such as Black Mamba, Terrakota, and Blasted Mechanism.

With more than two decades of experience, I now lead my own quintet and have released three albums, including A Sul (2018), bringing a blend of retro-inspired 60s jazz and modern cinematic arrangements to live audiences.

Woody Shaw, A Sul

Typical Setup & Performance Times

Setup & Soundcheck:

Setup time: 60–90 minutes (includes arranging instruments, PA system, and stage monitors)

Soundcheck: 60 minutes minimum

Full stage access required during setup and soundcheck

All equipment (PA, monitors, lighting) should be ready upon arrival

Performance:

Typical set length: 60–90 minutes per set

Number of sets: 1–2, depending on event

Breaks between sets: 15–20 minutes (if applicable)

Notes:

Doors may only be opened to the public after soundcheck completion and artist approval

Stage side areas should be restricted to artist and technical team during performance

Yes, I am happy to perform outdoors.
Requirements for outdoor performances:

Covered or sheltered stage to protect instruments and musicians from weather

Access to power outlets for electric instruments

PA system and stage monitors suitable for outdoor sound projection

Secure backstage or green room area for instruments and personal items

Optional note: “Outdoor shows are a fantastic way to connect with audiences, provided technical and weather conditions are adequate.”

Repertoire Flexibility

I perform a combination of set repertoire and tailored requests.

Most performances feature original compositions and carefully arranged pieces from the A Sul album and other jazz standards.

Clients can request specific songs or styles in advance, and I will do my best to accommodate them while maintaining the musical integrity of the performance.

For corporate events, private parties, or weddings, a tailored playlist can be prepared collaboratively before the show.

Optional note: “Flexibility is key to creating a unique experience for each audience while keeping the performance authentic and engaging.”

Client Feedback (Short Version):
Previous clients describe my performances as immersive, energetic, and authentic, combining strong melodies, rich harmonies, and dynamic improvisation, while maintaining professional and engaging live shows.

Yes, Ricardo Pinto often incorporates improvisational segments, audience interaction, and visual arts elements. His shows blend jazz, cinematic atmospheres, and original compositions with projections, paintings, or live visual art created in collaboration with artists, creating a fully immersive and multi-sensory experience.