Discover 282 professional 1950s era musicians and bands available for hire in Windsor, Ontario, Canada. These vintage performers have received 683 reviews from real clients, maintaining an average rating of 5 out of 5.
Of the 282 suppliers listed here, 6 are based within 30 miles of Windsor. The other 276 are willing to travel there.
Also covers suppliers based in Detroit, Auburn Hills, Farmington Hills, Shelby and Warren.
No reviews yet
Book from $400 (USD)
Add to favouritesNo reviews yet
Book from $350 (USD)
Add to favouritesNo reviews yet
Book from $2500 (USD)
Add to favouritesBased more than 30 miles from Windsor, nearest first
(29) Replies in ~1 hr
Book from $1500 (USD)
Add to favouritesNo reviews yet
Book from $2000 (USD)
Add to favouritesNo reviews yet
Book from $2500 (USD)
Add to favourites(1) Replies in ~4 hrs
Book from POA
Add to favouritesTell us about your event and we'll suggest suppliers, or talk to our team.
Choose a town or city to see suppliers who work there.
Rates for 1950s era musicians in Windsor currently range from about $220 to $2,850+, depending on group size, performance duration, and specific requirements. Most bookings average around $800, representing excellent value for professional vintage entertainment. Contact the supplier you like for an accurate quote.
Based on 119 enquiries for 1950s Era Musicians & Bands at events in Canada, made through this site in the last two years. Updated 18 October 2026.
Mondo Kane
"Always makes me smile when I hear that Mondo Kane style!"
Mark Broadwell -Vocalist
"Mark's warm vocals and acoustic guitar have earned the praise of
many an audience and has led to a devoted following"
Eugene Mann saxophonist and Wind Synth
"Eugene Mann did an amazing job for my private proposal event. I would recommend Eugene for any kind of event though! He has the skills and experience you want when booking a professional. He is an amazing musician and extremely nice person. He took the time to make sure everything was perfect for the event and nailed it."
Free2B Music Ministries
"Best blend of vocal harmonies and uplifting music. Always a wonderful experience at any events of Free2B."
Rick Holland's Uptown Society Orchestra
"All Music Review
Thom Jurek
The title of this set is an apt one. While much of the music presented by the Rick Holland-Evan Dobbins Little Big Band, it hearkens back -- in terms of its sophistication, confidence and outright jazz literacy, not nostalgically -- to an era when progressive jazz, and big bands (this one numbering 10 pieces) flourished on the scene. This is one sophisticated outfit. Featuring the arrangement and compositional skills of Brent Wallarab, Jim Martin, Bill Dobbins and Kerry Strayer, this band struts out the tradition and make some joyous, complex, and elegant music that reflects its own unique identity. The résumés of all these players are impressive and reflected in the confidence of the date. It opens with "SUNY-Triangle," a Martin composition that works its artful sleight-of-hand over Antonio Carlos Jobim's "Triste." Martin uses the rhythmically complex samba and drapes some tough, knotty twists and turns over it. The intro is a beautiful and raucous wake-up call, while the head of the tune, with its staggered entrances and exits -- including some fine soloing by John Viavattine on tenor and John Nyerges on piano -- give this tune a unique identity. "Creature Comfort" is a beautiful mid-tempo ballad by Wallarab with edgeless yet multi-dimensional dissonances written into its harmonics. It swings beautifully and includes a fine, punchy solo by tenorman Glenn Cashman. Besides the originals, there are some fine readings here as well. There's Wallarab's arrangement of Duke Ellington's "Black and Tan Fantasy" that's a thoroughly modern exercise losing none of Ellington's humor or rhythmic complexity. Likewise, Gerry Mulligan's haunting, wee-hours, "Night Lights," is given expert treatment here by Strayer, and Dean Keller's baritone saxophone playing combines Mulligan's sense of lyric and Ben Webster's sense of time. In Time's Shadow reveals that innovation need not sacrifice accessibility or swing. It is convincing evidence that the big band form is alive, well and full of surprises."
Elvis Tribute Band
"I had the fortune to witness Todd Berry's Tribute to Elvis Presley on a Friday night at Calvary Community Church in Grove City Ohio. The program included historical footage intertwined with live music renditions. The timing was perfect as Todd and Elvis were singing simultaneously. The event was extremely professional, informative and entertaining. I highly recommend this program to any organization."