Find 8 talented mime artists and silent performers available in United States for your next celebration. These skilled physical theater artists create engaging entertainment through expressive movement and theatrical storytelling, ideal for events where universal appeal matters.
Local performers with 9 reviews from real clients, rated 5 out of 5, offer everything from classic street mime performances to contemporary physical theater. Whether you need interactive walkabout entertainment or staged shows, these artists bring the timeless art of silent performance to weddings, parties, and corporate events. Prices start from $95 with an average of $250.
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Book from $300 (USD)
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Mime artists in United States bring the ancient art of silent performance to modern events, using only gesture, movement, and expression to create magical entertainment experiences. These physical theater specialists excel at creating invisible worlds and telling stories without words, making them ideal for diverse audiences and multilingual gatherings.
Prices for Mime artists in United States range from $95 to $2,500, with most professional silent performers charging around $250 for standard bookings. Local rates reflect factors such as performance length, costume complexity, and whether acts include interactive walkabout elements or formal staged presentations. Artists near you often offer package deals for multiple sets or extended entertainment periods, providing excellent value for events requiring several hours of engaging performance.
The average price for Mimes available in United States is $250 (USD). Above you will also find a budget price and high end price. Contact the supplier you like for an accurate quote.
Happy Entertainment Party Productions
"Diane C.- "I made arrangements with Ron to have Austin Powers come to our work to celebrate my husband's birthday. It was hilarious and involved everyone in the room. Yeah baby! Couldn't have been any better and my husband was talking about it for days after! Excellent job and thanks for memories we will never forget.""
Happy Entertainment Party Productions
"Katherine B. - "I wanted to write a review about Marilyn Monroe. She came to our home to sing for my husband’s birthday party last night and did an amazing job! She is so beautiful, more so in person than in her photos! The photos on the site don't do her justice! Her demeanor and appearance was what you would expect the real Miss Monroe to have been. Her voice was lovely and her mannerisms were spot on. No one knew she was coming so when she walked in the door all jaws dropped! I am so happy with her performance and couldn't be happier that she made my husband’s birthday so special! Thank you Miss Monroe!"
Happy Entertainment Party Productions
"Diane D. - "Hi there! I am sorry that I am just getting this sent, but I wanted to let you know that my husband LOVED the Comedy Chicken (and so did his entire office staff)! He is a very shy man and being the center of attention like that is not in his comfort zone - but he told me countless times that it was awesome!!!! I saw the video and I LOVED it. He also loved the caricature!! You guys are the best - so talented and so professional. I will be reaching out to you again for sure (as I am sure many in his office will do as well)!!! Thanks so much for making my husband's big day so fun!!!""
Circus Karakasciò
"came across Circus Karakascio during the Carnival in Rome and they genuinely impressed me. It’s not just about beautiful visuals or impressive acts: there’s real substance, presence, and a strong artistic identity behind what they do.
They are true artists, able to bring energy, smiles and a sense of celebration in every moment, constantly engaging the audience. The atmosphere they create feels alive and authentic, and it stays with you even after the performance ends.
Professional, but above all human. They added real value to the event , not just visually, but emotionally. I would like to work with them in the future."
Kokorikochakalakabombom
"amazing smile, absolute unit of a man, 100% recommend, only accepts pay in pancakes."
MIMIRICHI Clowns
"The first time I saw Mimirichi, last year at the Edinburgh Fringe, I knew I would have to put them at the core of my fiendish and cunning plan for world domination. Mimirichi would leave everyone weak with laughter and begging me for more of the fun, and, of course, I would be a benign autocrat, sending Mimirichi out on a world-wide mission to sponsor their own brand of warm fuzziness and community spirit. In this cold, competitive world Mimirichi liberates hearts and minds and promotes participation and collaboration. The awful thing is that they are only at the Riverside Studios for TWO nights (until 1st July)! Please, please, rush down to Hammersmith and secure tickets for yourself, all your family (especially menopausal aunts and grumpy old men), your evil-minded neighbours, your traffic wardens and rouge traders, your bank manager and your boss.
The four-man creative team at the heart of the mad, mad world of Mimirichi are superb physical performers who start off with some simple slapstick and build to a breathtaking break-dancing finale. But their secret lies in their generosity and the way they engage us with their world. This is a place where the imagination can transform paper into anything we want it to be and half of the fun is the delight in collaborating with them to make these transformations happen. It is a clown theatre for young and old alike, because it's full of the familiar and everyday. Mimirichi's Paper World is peopled with recognizable characters. There's the little guy with the broom overwhelmed by litter bugs on the rampage. And perhaps it's the same voracious paper-munching clown evolving into a despot who gets himself crowned with pomp and circumstance, and, to push the point home, also devours handbags and jackets from among the audience.
I guarantee that by the end of the 85-minute show you will be shouting, screaming, pelting each other with paper, passing great swathes of the stuff back and forth and even eager to step onto the stage and be transformed into a goal-keeper for a paper football penalty or a beauty queen.
At the core of this age-old humour there is an odd but recognizable logic at work, an absurd logic, or even illogical logic, perhaps, but once we accept the rules it all makes perfect sense (something like when Charlie Chaplin's starving tramp cooks his boots and eats them with perfect table manners and social etiquette). Mimirichi's gags are reminiscent of these extended comic scenarios from the Commedia lazzi and the silent movies. For example, a man desperate to find a public urinal is given increasingly complicated directions by a street cleaner in which each round of mimed instructions seems to take the longed for relief further away on a journey that includes swimming and punting across a river.
Mimirichi put us in touch with a part of ourselves we don't pay much attention to these days. They belong to a long tradition of European clowning that includes the great zannis of Commedia dell'Arte, Chaplin and Keaton, Max Wall, Mayall and Edmondson and so on. This is an eternal and universal form of clowning, the carnivalesque, the Lords of Misrule, rather than the sanitized comic turns fed to children in 20th century circuses. In days gone by, this type of carnival event was considered dangerous by princes and municipalities, so that the travelling performers where often borderline outlaws. Happily, Mimirichi are completely legit, but they still can show us a few things that authoritarian rulers feared: that what usually passes for logic is suspect, and that a creative and imaginative response can present alternative solutions to traditions we take for granted. Perhaps, we should send them to the G8 Summit.
If you cannot make it down to the Riverside Studios tonight go instead to a tattooist and have MIMIRICHI inscribed on your forehead, so that you will recognize their name should they come to a venue close to you at a future date."
