463 original artists are available to book in Wrexham, Wales, United Kingdom, with 594 reviews from real clients rating performances 5 out of 5. These are acts that perform their own material: singer-songwriters and singing guitarists at one end, original bands, rappers and DJ-producers at the other, and most of them mix their own songs with covers so a set works for a crowd that has never heard them.
Of the 463 suppliers listed here, 4 are based within 30 miles of Wrexham. The other 459 are willing to travel there.
Also covers suppliers based in Warrington, Hoylake and Liverpool.
Based more than 30 miles from Wrexham, nearest first
Tell us about your event and we'll suggest suppliers, or talk to our team.
Fees for original artists in Wrexham run from £90 to £1,350+, with most bookings around £300. A solo acoustic set sits at the bottom of the range and a band with its own sound engineer at the top; an act with a following charges for the name as well as the set. Travel and a PA, where the venue has none, are the usual extras. Contact the supplier you like for an accurate quote.
Based on 221 enquiries for Originals Artists at events in the United Kingdom, made through this site in the last two years. Updated 12 November 2026.
Andy Bellis
"First set tonight is provided by Andy Bellis, solo artist based in the Wirral, I’ve not yet seen him perform; the beauty of these gigs is you really do discover new treasures. Very cool, wearing a trilby and customised denim jacket, with white acoustic guitar, he does fill this stage with his presence and is instantly likeable. A full set, lots of content, very accomplished playing, but it’s the vocal that wows! Such a range, from low, grating tones with a raspiness, to full, loud and real angst ridden sounds; notes are extended and held with brilliance and real ease; very comfortable up there on stage before us. Instant feels are indie then, once Radiohead covers begin, come the more sorrowful and grunge feeling sounds; then during others a slight folk or indie/folk feel.
When the full extent of vocal range is used we get tingles down our spines; it’s haunting, atmospheric and you can literally feel the spectrum of emotions conveyed during each song. A gentle at first, then rousing and meaningful, cover of ‘Hallelujah’ is stand out. The crowd reaction after each song is just incredible; safe to say Andy has gone down super well and has certainly earned some new fans tonight, as afterwards he ‘s inundated with members of the audience wanting selfies and autographs. Very, very well received indeed. an absolutely stunning vocal, genuine interaction and a real set to remember. Honestly, check Andy Bellis out ‘cos this vocal is seriously special.
Set list
1. El matador
2. Cruel woman
3. Nude
4. Goodbye horses
5. Sulk
6. Ghosts in the mirror
7. Hallelujah
8. Sitting right
9. Creep"
Chloe Jones
"fantastic fantastic fantastic … great communication throughout … punctually and friendly but most importantly tremendous voice great range of songs that got the party going !! thanks for a great evening would definitely recommend"
Aiden Grimshaw
"Aiden and co helped make our day truly magical. Such talented musicians with beautiful arrangements and unusual covers. Aiden's voice was rich and soulful and the whole process of booking with them was a delight. Thank you so much!"
Miz Terrell
"Miz performed with out band when our singer was out for a gig and she did the gig very well, she was very engaging to the audience and sounded great.
Not all of the set we had suited her style but we were able to adjust and play songs that suited her.
Miz Terrell is a good singer and performer."
Dar.Ra
"Hype Magazine USA
Cure For Jealousy
A perfectly polished storyteller in the literal sense, Dar.Ra goes for this wild swing of ‘80s dance-rock infused with edge on the stomping sweetness of “Cure For Jealousy.”
The track combines a range of periods and influences, ensuring the sound works seamlessly as a cohesive, concise whole.
Volume is a given; he brings it, and it is a physical sound, like the way blood rushes through the ears with the first few traces of jealousy. Looking through his track record, he’s managed to touch upon every iteration of dance and rock within the last forty years, and has done it well.
Outside of the music, he’s the author of two books, which also inform the character studies that he graces with his sound. It is catchy, addictive, and liberating stuff, the sort of thing that the music world needs now – something unique, experimental yet accessible, and overflowing with ideas.
Sonically, Dar.Ra’s sound draws on the revivalist traditions of DFA Records, specifically on LCD Sound-System’s earnest pleas and search for meaning.
Like James Murphy, Dar.Ra does have a love for the aesthetics of just a gigantic canvas, letting the whole arrangement feel enormous. On the classic side, the insistent bass has an ESG quality, with the groove absolutely dominating.
It is easy to get intoxicated by the atmosphere, and the vocals further sell this idea of breaking free from this impairment.
The tautness of the groove even delves into Parliament’s most unhinged experiments, as the track sparkles with endless creativity. For all these reference points, Dar.Ra continues his fine tradition of marching to the beat of a different drummer, going for this life-affirming, soulful stance.
The stormy mix of keyboards and the tight rhythm section work their magic.
Before his voice enters the equation, the mood is already set. When he takes center stage, the song transforms into an inner turmoil.
He’s conflicted, and the verses cascade downwards reflecting exactly that. It stuns, and the track’s length makes the atmosphere almost psychedelic. Of course, this is what good dance music is meant to embody – endless expanses, endless possibilities. There is a reason so many dance-floors adhere to that sixto-seven-minute mark, even exceeding it when necessary. The band's interplay feels spirited, as if possessed, and this is what carries it all the way to the finale: a contemplative commotion.
“Cure For Jealousy” shows that Dar.Ra is what music needs right now – a sound that draws and builds on the past while pointing a way forward, in a purely hedonistic, funk/dance/punk flavour."
Singer-songwriter/ piano/ backing tracks
"Athina has played both in our cafe and on an open mic night. She also regularly played the old piano at the end of cafe session. Her music and performance style is varied from classical brilliance to more modern abstract performance. Listening to her play the piano takes you off into a daydream like state. Whichever type of performance you watch, you can’t stop watching!"