Singers With Backing Tracks for Hire in United Arab Emirates

"Had Greg come up and MC and DJ our small wedding in Glencoe this month and he didn’t disappoint. Not even the floods that brought the country to its knees could stop him getting there! The background tunes throughout the day were on point with our laid back vibe but when it came time to party he brought the energy we were chasing, it’s why we wanted him in the first place! He called a perfect little ceilidh for us and had the dance floor full all night with banger after banger, helping show the Aussie half that the Scot’s know how to party 🤙🏻 Chatting away to the guests, venue staff and other vendors throughout he fitted in perfect as part of our day. He turns up, sets up and does his thing, taking the pressure off us with one less thing to worry about. Would definitely recommend 👍🏻"

"We’ll definitely be back. The musicians were top-class professionals, and the experience was interactive: as well as the traditional flamenco show, we booked the introductory workshop where they taught us how to clap and do some simple steps – it was great fun. It was a real pleasure to have the artists up close and to enjoy their warmth and friendliness. My wife certainly had a fantastic start to her 60th birthday."

"Miz performed with out band when our singer was out for a gig and she did the gig very well, she was very engaging to the audience and sounded great. Not all of the set we had suited her style but we were able to adjust and play songs that suited her. Miz Terrell is a good singer and performer."

"Amavi Duo was incredible — everyone was dancing and singing all night. The energy, the vocals, the vibe… just perfect. Highly recommend!"

"'I had Nina Hewlett for my cabaret at my installation party recently in london .. Nina not only has a lovely voice but her warm personality makes a lovely connection with her audience and it was a perfect way to end the evening with everyone “ On their feet !” I highly recommend her for all occasions ' Fiona Paige London"

"Hype Magazine USA Cure For Jealousy A perfectly polished storyteller in the literal sense, Dar.Ra goes for this wild swing of ‘80s dance-rock infused with edge on the stomping sweetness of “Cure For Jealousy.” The track combines a range of periods and influences, ensuring the sound works seamlessly as a cohesive, concise whole. Volume is a given; he brings it, and it is a physical sound, like the way blood rushes through the ears with the first few traces of jealousy. Looking through his track record, he’s managed to touch upon every iteration of dance and rock within the last forty years, and has done it well. Outside of the music, he’s the author of two books, which also inform the character studies that he graces with his sound. It is catchy, addictive, and liberating stuff, the sort of thing that the music world needs now – something unique, experimental yet accessible, and overflowing with ideas. Sonically, Dar.Ra’s sound draws on the revivalist traditions of DFA Records, specifically on LCD Sound-System’s earnest pleas and search for meaning. Like James Murphy, Dar.Ra does have a love for the aesthetics of just a gigantic canvas, letting the whole arrangement feel enormous. On the classic side, the insistent bass has an ESG quality, with the groove absolutely dominating. It is easy to get intoxicated by the atmosphere, and the vocals further sell this idea of breaking free from this impairment. The tautness of the groove even delves into Parliament’s most unhinged experiments, as the track sparkles with endless creativity. For all these reference points, Dar.Ra continues his fine tradition of marching to the beat of a different drummer, going for this life-affirming, soulful stance. The stormy mix of keyboards and the tight rhythm section work their magic. Before his voice enters the equation, the mood is already set. When he takes center stage, the song transforms into an inner turmoil. He’s conflicted, and the verses cascade downwards reflecting exactly that. It stuns, and the track’s length makes the atmosphere almost psychedelic. Of course, this is what good dance music is meant to embody – endless expanses, endless possibilities. There is a reason so many dance-floors adhere to that sixto-seven-minute mark, even exceeding it when necessary. The band's interplay feels spirited, as if possessed, and this is what carries it all the way to the finale: a contemplative commotion. “Cure For Jealousy” shows that Dar.Ra is what music needs right now – a sound that draws and builds on the past while pointing a way forward, in a purely hedonistic, funk/dance/punk flavour."