Find 1,421 professional wedding singers available in Snowdonia, Wales, United Kingdom. These vocalists have received 3,865 reviews from real clients, with an average rating of 5 out of 5. Wedding singers start from around £100, with an average of £330, covering styles from acoustic ballads to upbeat pop and soul.
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Acoustic Bands in Snowdonia
Bagpipers in Snowdonia
Cellists in Snowdonia
Cover Bands in Snowdonia
Guitarists in Snowdonia
Harpists in Snowdonia
Jazz Bands in Snowdonia
Pianists in Snowdonia
Sax & DJ / Live Musician & DJ in Snowdonia
Saxophone Players in Snowdonia
Singing Guitarists in Snowdonia
Steel Bands in Snowdonia
String Quartets in Snowdonia
Vintage Themed Bands in Snowdonia
Violinists / Fiddlers in Snowdonia
Wedding Bands in Snowdonia
Wedding Ceremony Musicians in Snowdonia
Wedding DJs in Snowdonia
Wedding Musicians in SnowdoniaRates for wedding singers in Snowdonia currently range from about £100 to £1,150+, with £330 the typical rate. Pricing depends on performance length, the number of sets, equipment provision and travel distance. Solo performers with backing tracks generally cost less than singers who bring a live guitarist or pianist. Booking one vocalist to cover both the ceremony and evening reception is often more cost-effective than hiring separate acts. Contact the supplier you like for an accurate quote.
Based on 1,330 enquiries for Wedding Singers at events in the United Kingdom, made through this site in the last two years. Updated 18 October 2026.
Dominic Holmes
"I was looking for an English singer who was based in Cyprus for our wedding in 2017. I found Dominic Holmes and listened to some of his music, he sang a variety of different songs and I really liked his voice.
My husband and I were thrilled when Dominic agreed to sing at our wedding, we chose all the music we wanted and we were not disappointed, he was fantastic and a hit with all ages.of our wedding party.
Book with Dominic Holmes and you will not be disappointed, he is absolutely
FABULOUS ?"
Dar.Ra
"Hype Magazine USA
Cure For Jealousy
A perfectly polished storyteller in the literal sense, Dar.Ra goes for this wild swing of ‘80s dance-rock infused with edge on the stomping sweetness of “Cure For Jealousy.”
The track combines a range of periods and influences, ensuring the sound works seamlessly as a cohesive, concise whole.
Volume is a given; he brings it, and it is a physical sound, like the way blood rushes through the ears with the first few traces of jealousy. Looking through his track record, he’s managed to touch upon every iteration of dance and rock within the last forty years, and has done it well.
Outside of the music, he’s the author of two books, which also inform the character studies that he graces with his sound. It is catchy, addictive, and liberating stuff, the sort of thing that the music world needs now – something unique, experimental yet accessible, and overflowing with ideas.
Sonically, Dar.Ra’s sound draws on the revivalist traditions of DFA Records, specifically on LCD Sound-System’s earnest pleas and search for meaning.
Like James Murphy, Dar.Ra does have a love for the aesthetics of just a gigantic canvas, letting the whole arrangement feel enormous. On the classic side, the insistent bass has an ESG quality, with the groove absolutely dominating.
It is easy to get intoxicated by the atmosphere, and the vocals further sell this idea of breaking free from this impairment.
The tautness of the groove even delves into Parliament’s most unhinged experiments, as the track sparkles with endless creativity. For all these reference points, Dar.Ra continues his fine tradition of marching to the beat of a different drummer, going for this life-affirming, soulful stance.
The stormy mix of keyboards and the tight rhythm section work their magic.
Before his voice enters the equation, the mood is already set. When he takes center stage, the song transforms into an inner turmoil.
He’s conflicted, and the verses cascade downwards reflecting exactly that. It stuns, and the track’s length makes the atmosphere almost psychedelic. Of course, this is what good dance music is meant to embody – endless expanses, endless possibilities. There is a reason so many dance-floors adhere to that sixto-seven-minute mark, even exceeding it when necessary. The band's interplay feels spirited, as if possessed, and this is what carries it all the way to the finale: a contemplative commotion.
“Cure For Jealousy” shows that Dar.Ra is what music needs right now – a sound that draws and builds on the past while pointing a way forward, in a purely hedonistic, funk/dance/punk flavour."
Chris Pomeroy
"He was absolutely fantastic, got the whole wedding party up straight away and fully engaged everyone. He had a fantastic voice!"
Justin Ryan Guitar
"Justin played our wedding and spent the entire day with us. Not only did he provide Acoustic Requirements, the evening show was simply amazing. All our guests commented on how the night was brilliant and that he covered every style / genre. If you are considering booking someone for your special day or any other event then look no further."
Andy King of Swing
"Andy came and performed for us and we all absolutely loved it. During the daytime he delivers a lovely, relaxed jazzy set and in the evening had everyone up dancing to the classic hits of Sinatra etc. All of my guests commented on how brilliant he was and I’d recommend him 100% He was such a nice guy too and went out of his way to accommodate all of our requirements."
Andy Bellis
"First set tonight is provided by Andy Bellis, solo artist based in the Wirral, I’ve not yet seen him perform; the beauty of these gigs is you really do discover new treasures. Very cool, wearing a trilby and customised denim jacket, with white acoustic guitar, he does fill this stage with his presence and is instantly likeable. A full set, lots of content, very accomplished playing, but it’s the vocal that wows! Such a range, from low, grating tones with a raspiness, to full, loud and real angst ridden sounds; notes are extended and held with brilliance and real ease; very comfortable up there on stage before us. Instant feels are indie then, once Radiohead covers begin, come the more sorrowful and grunge feeling sounds; then during others a slight folk or indie/folk feel.
When the full extent of vocal range is used we get tingles down our spines; it’s haunting, atmospheric and you can literally feel the spectrum of emotions conveyed during each song. A gentle at first, then rousing and meaningful, cover of ‘Hallelujah’ is stand out. The crowd reaction after each song is just incredible; safe to say Andy has gone down super well and has certainly earned some new fans tonight, as afterwards he ‘s inundated with members of the audience wanting selfies and autographs. Very, very well received indeed. an absolutely stunning vocal, genuine interaction and a real set to remember. Honestly, check Andy Bellis out ‘cos this vocal is seriously special.
Set list
1. El matador
2. Cruel woman
3. Nude
4. Goodbye horses
5. Sulk
6. Ghosts in the mirror
7. Hallelujah
8. Sitting right
9. Creep"