Barsy International DJ & selector — genre-bending, with a 2,300-track collection.

Performance area: min 8×5 m clear space. Power: 2×13A (220V) grounded outlets at booth; if venue provides PA, one dedicated 32A circuit preferred. Mixer inputs: 2 stereo (XLR/TRS) + RCA fallback. Booth: stable table ~90 cm high, ≥120 cm usable width. Load-in/parking: parking for loading near entrance (min 2 spaces). Internet: reliable Wi-Fi/4G. Sound limiter: disclose presence and max dB. Tech contact: name & phone for load-in/soundcheck.

Travel & Accommodation: All round-trip flights from/to Seoul booked/paid by promoter (economy, booked ≥7 days prior); send ticket copies. Airport transfers and single 4★ room for 2 nights required (or as agreed for multi-day events). If you have DMX cable for lighting, I can connect and sync lights with my FLX10.

Hospitality: 10×0.5 L still water at booth; hot drinks, fruit and a simple hot meal if possible.

Equipment: Preferred — 4×CDJ-3000 + DJM-V10. Alt — 4×CDJ-2000NXS2 + pro mixer. If no CDJs, I can bring FLX10 & laptop.

Full address and detailed load-in/parking instructions.

Load-in time and soundcheck window.

Sound limiter presence and level (dB).

Access for loading (stairs / lifts).

Available input types on stage and contact for venue tech.

I do not bring a full PA or large lighting rig.

I prefer the promoter/venue to supply the main PA, stage monitors and lighting.

I can bring my controller (DDJ-FLX10), but full PA must be provided by the venue.

Yes. I can play music before, between and after sets via Spotify/Apple Music or a provided playlist.

Options: I can curate background music or play a client-supplied playlist (please send in advance).

Please confirm desired duration for background music.

Yes — clients may provide a playlist or request up to 5 specific tracks (send in advance). Otherwise I curate to fit the crowd.

My best gig was a sold-out headline set at an international night party — the crowd energy and live interaction made it unforgettable. The best venue I’ve worked at is an underground club with powerful sound and flexible lighting, where I could fully sync visuals and push the set dynamically.

Late-night club shows and underground warehouse parties — those settings deliver the strongest crowd interaction and let me build unpredictable, high-energy journeys. I also enjoy curated festival stages where I can reach a diverse international audience.

I started gigging in 2010 playing local parties and building a deep, exclusive record collection. With over a decade of experience and releases (EPs: NOSTRILLAZINE 2018, E/MT 2024), I’ve been touring internationally since 2023 and have collaborated with artists from Atlanta and Miami.

I’m influenced by UK underground (bassline, UKG), Jersey Club, Hyper House and techno scenes — and contemporary producers who blur genres. Favourite artist: Fred Again.. for his emotional, modern approach. Greatest song (personal pick): One More Time — Daft Punk — a timeless dance classic.

High-energy, interactive and unpredictable — rare IDs, tight mixing, professional and punctual.

I normally arrive 30 minutes before the show for load-in and setup. Typical soundcheck/setup window: 15-20 minutes. Preferred set formats: 8 × 60 min or 1 × 60 min headline set; I can also do b2b format or custom durations on request. I’m flexible with running time but please confirm exact slot.

Yes — I play outdoor events provided there is a flat, sheltered performance area, stable power supply nearby and safe cover for equipment in case of wind/rain. Please confirm ground/booth protection, access for load-in, and any sound limiter or curfew in advance.

Clients are welcome to provide a playlist or request specific tracks. I can accommodate up to 5 pre-requested tracks (please send titles in advance). Otherwise I curate the set to suit the crowd and event vibe — I read the floor and adapt live to keep the energy high.

High-energy, interactive and unpredictable — with rare IDs and genre-blending transitions that keep the dancefloor engaged. Clients praise tight mixing, strong crowd control and a professional, punctual approach to hospitality and tech coordination.

I arrive 20–30 min before load-in; soundcheck 10–15 min. Typical sets: 1×60 min or 8×60 min; flexible on request.

Yes — I play outdoors if area is flat/sheltered, with power nearby and equipment cover; please confirm load-in and sound limiter.