Adrienne - strings that resonate Cellist performing across all genres acoustically and with pro backing

I need access to an electrical socket, at least 2 x 2 metres space, a 'dining room' type chair without arm rests and one parking space

I need to know the closest off loading area to the actual area where I will be playing.

I bring my own sound equipment.

I can play tracks through my sound system that are in line with the songs that I will be playing.

Russel Kaplan auctioneers on their viewing evening for their Summer Wunderkammer Auction. I played acoustically and filled the entire building, both floors, with carefully selected music which enhanced the high value auction items displayed to the public and their clients.

I love playing for all types of events, with weddings being amongst my favorites, both ceremony and photos + receptions

I have played for weddings and other gigs since the early 2000's. I started playing with a formal, serious classical quartet in 1995, and gained incredibly valuable experience and insight. With this quartet, I learnt to play concerts and background music, as we expanded into lighter music as the years went by, but always remained a classical serious quartet at the time. (violin 1, violin 2, viola and cello). Over the years I have played for two orchestras and various other serious and gig ensembles.

For me, the love song from Cinema Paradiso is one of the greatest songs, although there are so many and it is so hard to choose. I have been mostly influenced by classical cellists all my life, such as Rostropovitch, Jacqueline du Pre, Heinrich Schiff and more.

I am set up and ready to start playing at least half an hour before the time that I have to. I can do different sets, and very often continue playing for the time that I am booked. If I am booked for two hours of background music, for instance, then I play for two hours usually. I enjoy keeping the energy and the sound going.

absolutely, but I do need a backup plan in case it starts raining, as I have electrical equipment, and my favourite cello is an old cello that was made in 1832. My cello is somewhat fragile when it comes to rain.

My clients come first, and I enjoy working with them in finalising exactly what they would like me to play.

They simply love me .... I usually have many guests making eye contact with me and showing me a sign of approval.

Too many to count with approximately 55 gigs worth of backing tracks