Murat Usanmaz Guitarist, Singer, Composer

Murat Usanmaz Rider:

2 Microphone (1 for the guitar, 1 for the voice)
2 Microphone Stand
1 monitor

• A Neumann KM 184 or Schoeps MK4 microphone.
• 1 monitor and 2 sidefills. L-Acoustics 112P or 108P preferred.
Equivalent brands or models are also acceptable.

I usually rely on the venue’s sound and lighting systems. However, I can provide my own sound and lighting equipment for an additional fee. This option is only available for venues near Catania.

Unfortunately, no. I do not provide Spotify or DJ services before or between my sets.

One of the most memorable experiences of my career was performing Rodrigo’s famous "Aranjuez Guitar Concerto" with the CRR Symphony at the Istanbul Harbiye Open-Air Theatre, a venue with a capacity of 5,000 people. This performance not only allowed me to showcase my artistry on a grand stage but also created an unforgettable connection with a large and appreciative audience. In addition, participating in numerous guitar festival concerts across various countries has brought me immense joy and fulfillment, enriching my career in every possible way.

My favourite type of event is performing in concert halls with excellent acoustics and open-air theatres that allow for an intimate connection with the audience. I also particularly enjoy VIP and cruise concerts — not only do they offer great financial rewards, but they are also prestigious opportunities that allow me to bring high-quality music to unique and exclusive audiences.

I started playing guitar on my own, driven by passion and curiosity. Later, I pursued formal education in Istanbul, Paris, and Sevilla, studying under accomplished teachers and immersing myself in diverse musical traditions. Over the years, I have built a career as a concert artist, performing solo and with orchestras internationally, continuously refining my craft and repertoire.

My musical style is deeply influenced by flamenco masters, especially Paco de Lucía for his passionate and innovative artistry. I also greatly admire Luciano Pavarotti, whose powerful voice and emotional expression have inspired me not only as a musician but also as a singer. For me, the greatest song of all time is “Nessun dorma,” a masterpiece that combines technical mastery with deep emotion, and which has moved audiences around the world.

We normally arrive 2 hours before the performance to set up. I typically perform solo sets lasting between 45 minutes to 1 hour. For larger events or orchestral concerts, performance times can be adjusted accordingly. I am happy to play a bit longer or shorter depending on the event and audience.

Yes, I am very happy to perform outdoors. Ideally, I request a shaded area, a flat and stable surface for my equipment, and access to a nearby power supply

I am flexible with the repertoire. Clients can select songs from my repertoire, or I can curate the program myself. If requested, I can learn up to 5 specific pieces before the event to accommodate client preferences

Previous clients have described my performances as passionate, engaging, and elegant, with a unique blend of classical guitar, Turkish music influences, and world music elements that captivate and move audiences

I perform a diverse repertoire ranging from classical guitar pieces to flamenco and Latin jazz fusion, including original compositions that blend Turkish music influences.

I perform both solo and with my Turkish-Flamenco-Latin jazz band. For introductory events, solo performances are often preferred for ease and intimacy.

Yes, I can learn specific pieces upon request, provided they are communicated at least two weeks in advance to allow sufficient preparation time.

Yes, besides being a guitarist and composer, I am also a singer and incorporate vocals into some performances.