Pew Pew Live event production studio: 4K livestreams, event video, LED and show calling

It depends on the format. For a livestream or multicam shoot we need stable mains power (ideally a dedicated circuit near the control position), a table or small area for the production desk, and a wired internet connection with at least 20 Mbps upload (we can bring bonded cellular as backup). For larger shows we agree a full technical rider in advance: camera positions, cable runs, LED and screen specs, comms and network. We bring our own cameras, switchers, intercom, streaming and network kit.

Address and access details, load-in route and times, parking for a van, power available (sockets, circuits, distances), internet available (wired, speed, firewall rules), room or stage dimensions, any existing AV or LED in the venue, and an on-site contact. Floor plans and photos of the space help us plan camera and cable positions before the day.

Yes. We own a full broadcast kit: Sony cinema cameras, Blackmagic ATEM switchers and 12G routing, LiveU bonded streaming, Dante audio, wireless intercom, fibre and networking. We also provide stage screens, LED, playback and show calling, and can coordinate PA and lighting through trusted partners for larger events.

Yes. We can run playback and background music before, between and after segments as part of the show, and manage walk-ins, stingers and break loops on screen and in the PA.

Producing the Brawl Stars Challengers Final 2026 for Supercell in Istanbul was a highlight: an international esports final with full multicam broadcast, live data and on-site operations. In Portugal, Red Bull Wings Cup University League and Red Bull Move Mind Showdown in Lisbon were great shows to deliver, with packed audiences and a lot of energy on stream.

Live shows that are also broadcast: esports finals, brand activations, concerts and festivals where the audience in the room and the audience online both need a great experience. That mix of live event and live TV is where we are strongest.

We started in December 2021 producing esports broadcasts and have grown into a full live production studio. Since then we have delivered more than 1,000 broadcasts and 20,000+ hours of video for 75+ brands and organisations, and worked in 9 countries in the last 12 months. Today we run our own studio and control room in Aveiro, with a core crew and a network of 100+ freelancers.

For a standard livestream we usually arrive 3 to 4 hours before going live to set up and test. Larger multicam shows and esports events typically need a build day before the event. We cover anything from a one-hour stream to multi-day events, and agree a detailed schedule and rundown with each client.

Yes, we regularly work outdoors at festivals and open-air events. We need cover or shade for the production position, protected power and a plan for rain. Bonded cellular streaming lets us broadcast from locations without wired internet.

Clients have full say. Every production is built around the client's goals: we agree the format, rundown, graphics, camera plan and delivery platforms together, and adapt live on the day.

Reliable, calm under pressure and easy to work with. As one client from Supercell put it: "PEW PEW just gets it."