Performance space: Minimum 8 m x 5 m, with a flat, level surface.
Power: 2 × 13A power sockets within 10 meters of the performance area.
Access: Safe load-in/load-out access to the venue.
Parking: 3 parking spaces for performers and equipment vehicles.
Setup/strike: Approximately 60 minutes for setup and 45 minutes for pack-down.
Lighting & sound: Standard venue lighting is sufficient; if sound reinforcement is required, please provide a PA system appropriate for the audience size.
Changing area: A secure backstage or changing room for performers is appreciated.

We need to know the exact venue address, any directions or access instructions that will help us find the correct entrance and unload our equipment, the available parking and loading arrangements, and whether there are any restrictions such as a sound limiter, curfew, or volume limits. It's also helpful to know the performance area, the availability of power outlets, and whether any sound or lighting equipment is provided by the venue.

Yes, we are completely self-contained. We always bring a professional sound system suitable for the event. If needed, we can also provide simple lighting to create an elegant atmosphere during the performance. We also have a professional digital piano available if the venue does not provide one.

Yes, we’re happy to play music from Spotify before, after, and between our sets. We can either choose the music ourselves or let the client select the playlists, depending on their preferences and the desired atmosphere.

One of the most memorable experiences I’ve had was performing in a beautiful historic church in northern Italy during a special commemorative concert. The acoustics were incredible, especially for organ and piano repertoire, and the atmosphere was very intense and focused. The audience was completely silent throughout the performance, and afterwards there was a long moment of stillness before the applause started—it felt like everyone had really connected with the music.
As for venues, I would say some of the most inspiring places I’ve worked are churches with strong architectural character and a long musical tradition. One that stands out in particular is a church where I regularly perform both as organist and pianist for liturgical services and concerts. Playing there always feels special because of the combination of the instrument, the space, and the emotional significance of the events—especially weddings and memorial services.

I enjoy performing in a variety of settings, from concerts to liturgical services and private events, but I would say weddings are among my favourites. They are very special occasions where music plays an important emotional role, and it’s rewarding to accompany such meaningful moments throughout the ceremony.

I also really appreciate memorial services, even though they are more solemn, because music can offer comfort and create a sense of reflection and dignity. Concert performances are equally important to me, especially in venues with good acoustics where I can explore a wider repertoire, from classical to jazz and contemporary pieces.

Each type of event has its own atmosphere, and I find it very fulfilling to adapt my playing to suit the context and connect with the audience in different ways.

I started my musical career through formal classical training, studying piano and organ at the conservatory, where I built a solid foundation in performance and interpretation. During those years, I also began gaining practical experience by playing for school events, local concerts, and church services.
From there, I naturally moved into professional engagements, starting with liturgical services such as weddings, funerals, and Sunday masses, where I worked as both organist and pianist. These early experiences helped me develop flexibility, sensitivity to different settings, and the ability to accompany singers and ensembles.
Over time, my work expanded into a wider range of events, including concerts, private ceremonies, and collaborations with vocalists and instrumentalists.

I have been mainly influenced by the great classical composers such as Johann Sebastian Bach, Frédéric Chopin, and Ludwig van Beethoven. Bach in particular has had a huge impact on my organ playing, especially in terms of structure, counterpoint, and clarity of musical lines. Chopin has deeply influenced my piano interpretation, especially in expressive phrasing and rubato.
Alongside the classical tradition, I am also inspired by jazz pianists such as Bill Evans and Keith Jarrett, whose harmonic language and improvisational approach have broadened the way I think about musical expression and colour.
Choosing a single favourite artist is difficult, but Bach remains at the core of my musical identity because of the depth, balance, and timelessness of his work.

I provide live music for weddings, religious ceremonies, funerals, private events, and corporate functions, offering a tailored musical program for each occasion.

Yes, all performances are fully customizable. I work closely with clients to select pieces that match the atmosphere, style, and significance of the event.

Yes, I can provide a portable digital piano when needed, along with all necessary equipment for performances in venues without a piano or organ.

We normally arrive around 1.5 to 2 hours before the performance to set up and prepare properly. This allows time to check the instrument, adjust sound if needed (especially for digital piano setups), and coordinate with the venue, celebrant, or other musicians.
For weddings and ceremonies, we usually arrive earlier if there is an organ involved or if there are multiple locations within the venue, so everything runs smoothly without stress on the day.
Performance times depend on the type of event. A wedding ceremony typically lasts between 30 and 90 minutes of music, including pre-ceremony, entrance, signing, and exit pieces. For funerals, performances are usually more focused and shorter, often around 20 to 40 minutes depending on the ceremony structure. For concerts or private events, sets can vary from 45 minutes to 2 hours, often divided into multiple parts if needed.

Yes, we are happy to perform outdoors as well, as long as a few basic conditions are met to ensure a good performance. In particular, it is important to have a flat and stable surface, adequate protection from sun or rain, and, if needed, a nearby power supply for the digital piano or amplification.

When these conditions are in place, outdoor performances can be very atmospheric and create a truly special setting for the event.

Clients definitely have a say in what is performed. We usually offer a wide repertoire to choose from, which can be adapted depending on the type of event and the desired atmosphere.

We are also happy to prepare specific pieces on request, especially for key moments such as entrances, signing, or exits, usually within a limited number agreed in advance.

Alternatively, clients can fully rely on us to select the musical program.

Previous clients often describe my performances as elegant, emotional, and highly refined. They particularly appreciate my ability to create the right atmosphere for each moment, adapting the repertoire with sensitivity and professionalism.
Many also highlight the quality of the sound and the expressiveness of the interpretation, as well as my discretion and reliability during important events such as weddings and memorial ceremonies.