Discover professional 1980s era musicians and bands available for hire in Cassis, Provence-Alpes-Côte d'Azur Region, France. Browse 669 acts focused on authentic 80s entertainment, from hair metal tribute bands to new wave cover groups ideal for weddings and parties.
Of the 669 suppliers listed here, 5 are based within 30 miles of Cassis. The other 664 are willing to travel there.
Also covers suppliers based in Aix-en-Provence and Marseille.
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Hiring professional 1980s era musicians and bands in Cassis typically costs between about €140 and €2,950+, with most acts averaging €800 per booking. These skilled musicians have mastered the complex arrangements and production styles that made 80s music so memorable, from synthesizer-driven new wave to power chord-heavy arena rock. Many acts focus on specific subgenres of 80s music, allowing you to find the ideal match for your event's atmosphere and audience preferences. Contact the supplier you like for an accurate quote.
Based on 156 enquiries for 1980s Era Musicians & Bands at events in France, made through this site in the last two years. Updated 19 October 2026.
Sabotaaaage
"Sabotaaaage play for a week straight during winter season and perform 4 to 5 sets everynight.
Their repertoire is built to increase from a lounge ambiance to a full party and the band delivers big time !
Not only can they perform with great great talent, but they shake the crowd and leave them always wanting more. Of all the bands performing here, Sabotaaaage is known for their electric high happy energy, their crazy mashups and unusual good songs selection. Songs no other bands dare to cover !"
Domassax
"My boyfriend hired Domas to come surprised my family during happy hour one night of our vacation in Provence. Domas was super communicative - working with Jake to plan the setlist ahead of the event and coordinating logistics for the surprise - and the night blew everyone away! Domas is incredibly talented and kind, and we had so much fun dancing the night away! Thank you Domas for being the highlight of our trip!"
Nirina
"Nirina is, in a word, a wonderful artist: genuine, humble, discreet, and blessed with an incredible voice.
He won over everyone at our wedding on September 16. I wholeheartedly recommend him.
Thank you for everything, Nirina — and thank you for making our first dance so special by singing our song together with two members of our family. We could not have dreamed of anything better.
You are truly wonderful. Hats off to you, and I hope to have the opportunity to see you perform again someday."
Chris Cadillac - Strolling Band
"Thank you so much for the wonderful moments you brought to our Wedding.
We have shared your page on Gig Heaven with some of our guests and they will be contacting you!!"
Violin & Beatbox unique act
"Saw you in the Playhouse and Manhattan on the P&O Azura. You were awesome!!!! Jessica enjoyed meeting you and beatboxing with you."
Call me Winston - The Tarantino tribute
"The effectiveness of music in Quentin Tarantino's five films has much to do with the way he perceives music. Tarantino thinks that songs in general function as miniature films.
He views music as a way to extend the plots of his films. The soundtrack has the responsibility not only of setting the tone of the scene, but also of bringing clarity to emotions that are not fully expressed by the characters.
All of this works seamlessly because Tarantino hears the song first, then writes a scene around it. It is therefore not surprising that music has such a remarkable impact in his films.
How does music affect the way we perceive Tarantino's films? It is true that all music will make the viewer react emotionally, but what matters to Tarantino is that, most of the time, music produces what he perceives as the "appropriate" emotional impact on a scene. For example, if something other than "Stuck in the Middle With You" had been chosen to accompany the "ear cutting" scene in Reservoir Dogs, the audience might never have known about Mr Blonde's sadistic tendencies.
The key to Tarantino's success in avoiding music perceived as just "adequate" is that he writes all his film scripts with specific music in mind. By being determined in his selection, Tarantino ensures that the music of Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill Vol.1 and Kill Bill Vol. 2 plays an active role in the narrative structure of the film and, equally important, that it does something the audience will want to remember.
These are the memories that the members of Call me Winston wish to bring back to the viewer.
This "tribute band" orchestra newly created on the Côte d'Azur is unique in the South Region. With its 10 members, (singer, female singer, guitar, bass, drums, percussion, keyboards trumpet, alto saxophone, baritone saxophone), it will remind you of the best moments from Tarantino films through their soundtrack."