Browse 1,576 cover bands available for hire in Washington D.C., District of Columbia, United States, rated 5 out of 5 across 2,781 reviews from real clients. These acts play recognisable songs across decades and genres, from a duo at a drinks reception to a full band with brass for an evening party, and most bookings come in around $1,000.
Of the 1,576 suppliers listed here, 23 are based within 30 miles of Washington D.C. The other 1,553 are willing to travel there.
Also covers suppliers based in Hyattsville, Silver Spring, Bethesda, Capitol Heights, Edgewater, Fairfax, Germantown, Jessup and 4 other places within 30 miles.
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Book from $2000 (USD)
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Acoustic Bands in Washington D.C.
Acoustic Duos in Washington D.C.
Alternative Bands in Washington D.C.
Blues Bands in Washington D.C.
Classic Rock Bands in Washington D.C.
Easy Listening Bands in Washington D.C.
Heavy Metal Bands in Washington D.C.
Indie Bands in Washington D.C.
Karaoke Bands in Washington D.C.
Oldies Bands in Washington D.C.
One Man Bands in Washington D.C.
Party Bands in Washington D.C.
Pop Bands in Washington D.C.
Punk Bands in Washington D.C.
Rock 'n' Roll Bands in Washington D.C.
Rock Bands in Washington D.C.
Soul Bands in Washington D.C.The average price is $1,000 (USD), with most priced from $200 to $3,500+. Contact the supplier you like for an accurate quote.
Based on 1,536 enquiries for Cover Bands at events in the United States, made through this site in the last two years. Updated 18 October 2026.
Grateful Allman Band Experience
"Great band—make sure to see them when they come through your area."
The Rockits
"Ian P. Woodbury
I’ve been serenaded AND stirred by THE ROCKITS twice in 2022, since being introduced to them only recently. I made a pledge to myself, in the mirror, to go and listen to them whenever I need to satisfy my audio addiction for exceptionally performed, hard driving Rock n Roll.
As a guy who has been playing guitar, and singing for an audience since 1956, I continuously need to have my appetite satiated with Good Ol’ Rock n Roll. The Rockits satisfy my need quite satisfactorily! Thank You Very Much! The Rockits share the top shelf of the D.C. Area bands, with only a few other bands up there with them. There is no better party band than The Rockits. The band is well-rehearsed, instrumentally and vocally tight, and they really know how to keep the good vibes topped off at FULL, without losing the personal touch with their audience. Everyone in the band is a seasoned musician, sings very well, and harmonizes on key. But…the vocal standout is Robin Brown, the female vocalist. Robin should be known by everyone in the D. C. Metro Area, who enjoys hip Shakin’ Rock n Roll. ROBIN IS THAT GOOD! She commands the stage, like a Queen, but she is never domineering. She does not try to draw undue attention to herself, but knows her position on stage, as an integral part of a smoothly wild ensemble. She shares the M.C. duties with the band’s leader, Peter Grattan, who is a fine drummer, but in The Rockits, he is a triple threat on keyboards, guitar, and vocals. All the instrumentalists are in the top echelon of local talent, each attuned to his role in the overall mix, and they all shine in their spots. If you want a really satisfying Good Time of listening and dancing, there is no better band, who can lift you higher, than The Rockits. Going out to get your Rock n Roll fix with The Rockets is an evening well-spent."
THE "ORIGINAL" MOONLIGHTERS ®
"We hired the Original Moonlighters for our wedding band, and they were absolutely fantastic! We had a large wedding, with a lot of guests that have different musical tastes, but this band was able to get everyone on the dance floor and brought amazing energy to the wedding. They had a wide set list and made our special day even more fun."
Nu30X Caribbean Soul
"Hey HaitianBarbie you were great i like the part where you were getting the crowd on their feet keep up the good work the band was great i enjoyed myself thanks for the invite love always??
Patrick Joseph"
ATOM - A Touch of Maze
"Saw y'all in Philadelphia. That was an awesome experience!! Thank you so much for this show. My dad knew Frankie Beverly and the band but didn't stay in contact with him much after he moved to California.
My dad didn't come to this show because he was really upset by Mr Beverly's passing. I brought a friend with me instead. Getting hear Frankie Beverly's music performed live (as someone that wasn't around yet to get that experience back in the day) whewwww was I blown away!!!
Everyone did a incredible job and captured the essence of Maze so well-- I watched a couple concert videos on YouTube of them in the 80s. I never couldve comprehended why the love in that room at WCL was so thick from just the concert recordings. What the videos couldn't capture the Performers at this tribute concert went absolutely beyonnnndddd.
Every single member was 🔟 /🔟 and you had two TRUE master percussionists on that stage. Tarsha Fitzgerald curated a truly phenomenal experience. 🔥 🔥 Thank you, ATOM 🔥 🔥 🥇"
Johnny and the Headhunters
"There’s more to Johnny Ticktin than meets the eye. Well-versed in the blues, having once served as lead guitar player for the legendary Louisiana Red, the open-minded Ticktin is a sponge, soaking up the subtle six-string nuances and intricacies of a multitude of genres—from surf to classic R&B, swing and even Mambo—on his eighth album with The Headhunters, That’s All I Need. It would feel right at home in any rough-and-tumble roadhouse.
The title is borrowed from a song, covered here in all its dark, swampy glory, off Magic Sam’s 1967 iconic electric blues marvel West Side Soul. Watery, backwoods ripples of Sam’s tremolo guitar style and seductive rhythms meander through Creedence Clearwater Revival’s mysterious kudzu on Johnny & The Headhunters’ version, as Ticktin and company paddle up a lazy river of Bayou groove. Just as fluent in nasty rockabilly, they thrive in the sweltering heat of the 1957 obscurity “Chicken House,” giving it a warm buzz and making it rumble and swagger, while the lascivious, infectious funk of “Body and Fender” – a Doc Pomus/Duke Robillard joint originally built for soul crooner Johnny Adams – shakes all over and ogles the female form. A rousing, boogie-woogie version of Lowell Fulsom’s Chess Records’ hit “Rock ‘Em Dead” is wonderfully shambolic, and Ticktin rides the lightning of the Link Wray instrumental “Ace of Spaces” like a champ, gleefully wheeling through edgy garage-rock riffs with appropriate vim and vigor. What feel he and his band have for this material. There is not the slightest bit of indifference to it anywhere on this record.
Not that they need it, but help arrives in the form of keyboardist Tam Sullivan, who wraps smoky, sensual organ and wraiths of piano around a soulful remake of Bobby “Blue” Bland’s “Lead Me On,” and singer Liz Springer, who joins her brazen vocals to Ticktin’s in the cheeky, but charming, duet “Watch and Chain.” And, with the solid machinery of a good backing band at work behind him, Ticktin can just let loose – witness the slide-guitar fury of their cover of Elmore James’ “Shake Your Money Maker.” For aficionados of tasteful guitar work and music that time shouldn’t have forgotten, this is what you need.
—Peter Lindblad
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