Originals Artists for Hire in Hungary

"Jazz in Britain has set up a new music imprint: Jazz Now. The first release is Gravity by Eternal Triangle. Watts is a phenomenon. Just listen and enjoy the surge of music from this new group. What a celebration of the fullness of life and optimism. Watts has emerged from the UK avant-garde. He has a vast curriculum vitae: Spontaneous Music Ensemble, Amalgam in the 1960s and '70s and Moiré Music in the '80s and beyond. Watts has commented on the intolerance and backbiting of the scene. He has gone beyond that now. This is a man who seeks out melodies, relishes tunes, loves rhythms. His music and his mind are effervescent."

"Yohan was absolutely brilliant. He played at my wedding the songs I requested to and some others as well. He delivered beyond our expectations. Absolute highest recommendations."

"Miz performed with out band when our singer was out for a gig and she did the gig very well, she was very engaging to the audience and sounded great. Not all of the set we had suited her style but we were able to adjust and play songs that suited her. Miz Terrell is a good singer and performer."

"Hi! We count with Bom Beijo to put some music and live performance during a cocktail reception of an event we organized in Lisbon. People really enjoyed the music and the vibes. Highly recommended!"

"Hype Magazine USA Cure For Jealousy A perfectly polished storyteller in the literal sense, Dar.Ra goes for this wild swing of ‘80s dance-rock infused with edge on the stomping sweetness of “Cure For Jealousy.” The track combines a range of periods and influences, ensuring the sound works seamlessly as a cohesive, concise whole. Volume is a given; he brings it, and it is a physical sound, like the way blood rushes through the ears with the first few traces of jealousy. Looking through his track record, he’s managed to touch upon every iteration of dance and rock within the last forty years, and has done it well. Outside of the music, he’s the author of two books, which also inform the character studies that he graces with his sound. It is catchy, addictive, and liberating stuff, the sort of thing that the music world needs now – something unique, experimental yet accessible, and overflowing with ideas. Sonically, Dar.Ra’s sound draws on the revivalist traditions of DFA Records, specifically on LCD Sound-System’s earnest pleas and search for meaning. Like James Murphy, Dar.Ra does have a love for the aesthetics of just a gigantic canvas, letting the whole arrangement feel enormous. On the classic side, the insistent bass has an ESG quality, with the groove absolutely dominating. It is easy to get intoxicated by the atmosphere, and the vocals further sell this idea of breaking free from this impairment. The tautness of the groove even delves into Parliament’s most unhinged experiments, as the track sparkles with endless creativity. For all these reference points, Dar.Ra continues his fine tradition of marching to the beat of a different drummer, going for this life-affirming, soulful stance. The stormy mix of keyboards and the tight rhythm section work their magic. Before his voice enters the equation, the mood is already set. When he takes center stage, the song transforms into an inner turmoil. He’s conflicted, and the verses cascade downwards reflecting exactly that. It stuns, and the track’s length makes the atmosphere almost psychedelic. Of course, this is what good dance music is meant to embody – endless expanses, endless possibilities. There is a reason so many dance-floors adhere to that sixto-seven-minute mark, even exceeding it when necessary. The band's interplay feels spirited, as if possessed, and this is what carries it all the way to the finale: a contemplative commotion. “Cure For Jealousy” shows that Dar.Ra is what music needs right now – a sound that draws and builds on the past while pointing a way forward, in a purely hedonistic, funk/dance/punk flavour."

"Such an intriguing musical style as well as fashion. It’s difficult to fit Randy Perkins into the typical box that makes us feel safe as viewers and listeners. Safe to admit there’s something likable or safe to follow on a musical journey. It’s mature music pulling from his influences but with a youthful devil-may-care approach. None of the edges of his music (and they enough to show confidence) have been smoothed out so much that any emotion or truth has been removed. Quite interesting and accessible music and I’m looking forward to his new songs."