Browse 849 pop bands available in Greece, with 1,914 reviews from real clients rating their services 5 out of 5. These professional pop groups deliver crowd-pleasing performances featuring chart hits and classic pop anthems for weddings, parties and corporate events.
A pop act based closer to your venue may quote less for travel, with the professional standards expected at premium events. Prices typically start from €170, with most bookings around €1,000, with most bands providing full sound systems and lighting suitable for venues of various sizes.
Of the 849 suppliers listed here, 41 are based in Greece. The other 808 are willing to travel there.
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Soul Bands in GreecePop bands in Greece offer professional entertainment spanning multiple decades of popular music. These experienced pop groups specialize in creating engaging performances that appeal to diverse audiences, combining contemporary chart hits with timeless classics from artists like Queen, Madonna and modern acts.
Choosing an act based closer to your venue can mean lower travel costs and easier rehearsals or venue visits. Many pop groups have played a wide range of venues and can advise on sound requirements and the best setup for your space.
Rates for pop bands in Greece typically run between about €170 and €3,150+, with most professional acts charging around €1,000 for standard performances. Pricing factors include band size, equipment requirements, performance duration and specific date availability. Most pop groups structure their services around two 45-minute sets, though flexible timing arrangements are typically available for events with specific scheduling needs.
The average price is €1,000 (EUR), with most priced from €170 to €3,150+. Contact the supplier you like for an accurate quote.
Based on 187 enquiries for Pop Bands at events in Greece, made through this site in the last two years. Updated 10 November 2026.
Bel Greco
"Interview with Christiana Theofanous for Kalithea Press, in cooperation with Kalithea Radio and Galaxias FM 92.1 Fokida
1. Mr Yannis Apostolidis, for many years you lived and worked professionally in England. What led you to choose life abroad, and how did this long journey shape your life and your artistic path?
My decision to leave for England in 1995 came from my need to develop musically and to discover new horizons. I had already gained significant experience in Greece. From September 1989, when I settled in the country, I began working as a bassist in music venues, while at the same time searching for different ways to express myself artistically.
In 1994 and 1995 I took part as lead singer in a musical theatre production at Mylos Club in Thessaloniki. In 1994, I also recorded an album with English lyrics, with a rock band, at the Papazoglou studio.
When my work with Mylos Club ended, I felt that I had to take the next step. I wanted to test my abilities in a different environment, to come into contact with other musical cultures and to broaden my possibilities.
So, in 1995, I left for London, where I lived until 2002. Those years were a decisive chapter of my life. I worked as a singer, played saxophone and flute, and got to know a multicultural musical environment at first hand.
My path was not always easy, but it taught me to persevere, to adapt and not to rest on my laurels. I believe that an artist must remain in constant search. Music is not a road you learn once and then it is finished; it is a continuous process of discovery.
2. We know that you also passed through the world of street music, where you managed to create a complete musical sound, essentially building a whole music band by yourself, with the help of the right equipment. At the same time, you perform songs in many languages. How did this experience begin, and what did direct contact with the public teach you?
Street music was a wish I had had for many years. When I lived in London, I was not given the opportunity to try it, since from the very first moment I worked as a singer in bars and restaurants. At the same time, I played saxophone and flute and took part in jam sessions in the pubs of my neighbourhood, where I had the chance to develop through live music and collaboration with other musicians.
In the end, I fulfilled this wish two summers ago, here in Chalkidiki. It was a special experience for me, because I managed to try something I had been thinking about for years.
With the help of the right equipment, I can create a complete musical sound, giving the impression of a whole band while I am alone. This requires technical knowledge, preparation and constant concentration.
Street music, however, has another dimension. You come into direct contact with people who may not know you at all. There is not necessarily the presentation of an organised stage or the expectation of a particular show. People stop, listen and react spontaneously.
What interests me most is communication. By performing songs in different languages, I can reach people with different cultural references. Music has this magical quality: even when we do not understand all the words, we can feel the emotion.
3. England is a country with a multicultural environment and diverse musical influences. What was your experience there as a Greek singer? What difficulties did you encounter, and what opportunities were given to you to develop artistically?
London was a great school for me. From the very first moment I worked as a singer in bars and restaurants, while at the same time playing saxophone and flute. I often took part in jam sessions in the pubs of my neighbourhood, where I came into contact with musicians of different influences and developed both my vocal abilities and my skills as an instrumentalist.
My everyday life, however, had a difficult side. In the mornings I worked part-time in a sandwich shop in the City of London. I washed food containers and prepared sandwiches, while in the evenings the stage awaited me. It was a reality that demanded hard work and discipline.
In 1998 I started postgraduate studies in music teaching at Middlesex University. Unfortunately, I did not manage to complete them, as my professional commitments forced me to work in the evenings. It is something I still think about with regret, but at the time I had to meet the needs of my life and my work.
That same year I took part as a flautist on the album Kingsize by Boo Radleys, playing flute on two songs. My name, Yannis Apostolidis, is printed on the album cover. It was an important experience for me, and I wished for this collaboration to continue.
England taught me that talent is important, but that it is not enough on its own. It requires perseverance, consistency, professionalism and the willingness to make the most of every opportunity. Above all, I learned not to give up on music, even when the circumstances of life demand great personal sacrifices.
4. During your time abroad, you also found yourself in Saint Petersburg, where you performed concerts and professional collaborations. Would you like to share with us a little of the atmosphere of those performances? How did the audience welcome you, and what do you keep from this experience that stands out?
Saint Petersburg is an important chapter of my musical journey. From 2007 to 2010 I travelled there during the winter season together with my friend and collaborator, the keyboardist Giorgos Apazidis, performing concerts and professional collaborations.
It was a different experience from that of England, as we came into contact with another cultural environment and with people who had different musical references. For a musician, such experiences are valuable, because they make you remain open, observe and adapt.
What I keep from that period is the value of collaboration and of live musical communication. When you go on stage, it is not enough to perform a song correctly. You need to create a connection with the audience and convey the emotion of the interpretation.
Music gave me the opportunity to work in different countries and to meet people I might never otherwise have met. This ability to communicate beyond borders is one of the things I value most in my artistic path.
5. When a Greek artist performs far from their homeland, music often takes on a special emotional character. Did you notice this at your concerts abroad? How does the audience's relationship with Greek song express itself, especially when they are far from Greece?
I believe that Greek song carries a special emotional weight. For Greeks who live far from their homeland, a familiar melody can awaken memories, recall family moments and bring them mentally closer to their place.
Music works like a bridge between the present and our memories. It can remind us of people, places and moments that have left their mark on our lives.
At the same time, I believe that the power of song is not limited by language. A person who does not speak Greek can be moved by an interpretation, feel the melody and grasp the emotion conveyed by the singer.
As a musician, this is something that interests me particularly. I want to be able to communicate with different people and use my voice to convey emotions that are common to all of us.
Greek song has a rich tradition, intense melodic quality and a particular expressive power. I believe it deserves to travel even further, while preserving its authenticity and its identity.
6. Apart from live performances, your artistic path includes collaborations, professional contacts and many different activities. Which do you consider the most important moments of your journey in England and Saint Petersburg? Were there people or collaborations that substantially influenced your path?
If I had to single out certain milestones, I would first mention my experience in London, where I had the opportunity to develop as a singer and instrumentalist through daily work and my participation in musical gatherings.
The album Kingsize by Boo Radleys holds a special place, where I played flute on two songs in 1998. The fact that my name, Yannis Apostolidis, is printed on the cover is a specific and important memory from that period.
Another milestone was 2002, shortly before I returned to Greece, when I created my personal album Vacant Alleyways. It includes six of my own songs, produced by me. I had the feeling that a major cycle of my life was closing, and I wanted to leave behind a work that expressed me personally.
After my return, I worked for about ten years with my friend and keyboardist Giorgos Apazidis, with whom we worked in hotels in Chalkidiki. The pace was demanding, as we worked seven days a week. At the same time, we travelled together to Saint Petersburg during the winters of the 2007–2010 period.
Every collaboration has its own value. When you share the stage with other musicians, you learn to listen, to collaborate and to respect each person's different approach. These experiences are just as important as personal achievements, because they shape you both as an artist and as a person.
7. After so many years abroad, do you believe that the way an artist perceives music, the audience and themselves changes? What did this long experience teach you?
Undoubtedly, life in different countries affects the way you see music and the world. When you come into contact with different cultures, sounds and people, you understand that there are many paths to express yourself artistically.
My own path included different roles. I started as a bassist, took up singing, played saxophone and flute, took part in groups and collaborations, and created my own songs. Each experience offered me something different.
I also learned that music requires continuous work. Knowledge or talent alone is not enough. You need to remain active, try new ideas and accept that there is always something more to learn.
As a person, life abroad made me rely more on my own strengths and face difficulties with greater composure. At the same time, it helped me understand how important the balance is between professional ambitions and our personal responsibilities.
Today, as a music teacher at the Child Creative Occupation Centre in Nea Moudania, I see music from a different side: as a means of education, creativity and personal development.
I believe that an artist truly evolves when they do not stop learning, but also when they find ways to pass on what they have gained through their path.
8. Life far from the homeland has its beautiful moments, but also difficulties that are not always visible to others. How did you experience this distance? Were there moments when you missed Greece particularly, or when you felt that music helped you keep your connection with it alive?
Life abroad has many sides. On the one hand, it gives you the opportunity to meet new people, to work in different environments and to discover possibilities that"
The Ginger Project duet
"Excellent musicians and good guys with enthusiasm and love for what they do!!!"
Party Hustlers
"We booked party hustlers for our wedding in Crete. We can honestly say this was the best wedding band we have ever seen. We were so impressed with their energy and performance. The frontman was amazing and we loved the saxophonist. Kyriakos’s communication was great which was super helpful as we are based in the UK. We cannot thank the Party Hustlers enough - they made our wedding so memorable!"
Marita & Mike The Duet
"Marita and Mike The Duet are simply amazing! They made our wedding anniversary a huge success, and got everyone to the dance floor. They really surpassed all our expectations for a lovely night. In the preparations towards our event they have continuously been prompt in their replies. They took all the time to prepare well, and make our party evening to a success. We arranged a video call to discuss what kind of music we'd like to have for our party, and Marita and Mike made many wonderful suggestions. Prior to our party night they sent their playlist, which was exactly the kind of playlist we were hoping for, and they had added several songs that from their expertise they know will get the partying people enthusiastic. And some party it was! Marita and Mike started with relaxed, jazzy music, just as we agreed and then built up towards party music that got everyone on the dance floor. A wonderful mix of songs, including Greek songs, that got all the Greek to the dance floor too, and giving us the opportunity to show off the dance steps that our group learned just that morning in a traditional Greek dance workshop. They suggested to play our wedding song, and that turned out to be such a moving and emotional moment in the evening, with our guests dancing with us and around us. On top of that, Marita and Mike are the kindest people! We had hired a sound and lights engineer too, who also had arranged for a dj to play after Marita and Mike had finished. But he appeared to have forgotten the speakers. Marita and Mike, even while they had to travel over 3 hours to get to our party generously offered that the dj could use their speakers for an hour (with them having to stay extra long even while they had a long travel in the night ahead of them). They saved the dj! So, absolutely a big 10 for a rating for Marita and Mike The Duet. We can highly recommend them to anyone for creating a lovely party event."
The GuitSax Project
"The GuitSax Project was one of the highlights of our wedding day. Anastasis and Vasilis created the most beautiful atmosphere for both our ceremony and cocktail hour. Their music was exactly the tone we hoped to create for our intimate wedding.
They traveled to Crete for our celebration, were incredibly professional throughout the entire process, and gave us complete confidence that everything would be taken care of. They were a vendor we never had to worry about, which was priceless on such an important day.
What made the experience even more special was their willingness to learn many of the songs we requested. They performed them beautifully, making our ceremony feel so personal and unique to us. We received countless compliments from our guests about how talented they were and how much they added to the overall experience.
Thank you, Anastasis and Vasilis, for helping make our wedding so unforgettable. We would wholeheartedly recommend The GuitSax Project to anyone looking for exceptional musicians for their special day!"
The violin experience!
"We recently had Manolis perform at our wedding in Kos in June 2026. From first contact with him to the big day he kept in touch and was happy to send us a video of himself performing the song we requested for the ceremony to make sure we were happy. His performance on the day was excellent, every piece of music was fantastic and timed to perfection. The guests all commented how good he was and how wonderful it was to have at a wedding. We would highly recommend Manolis and are grateful to him for making our day such a special occasion."