Browse 322 swing bands available for hire in Hamilton, Ontario, Canada, featuring 762 reviews from real clients with an average rating of 5 out of 5. These professional swing ensembles and jazz groups offer sophisticated entertainment for weddings, parties and corporate events.
All 322 suppliers listed here are willing to travel to Hamilton. The nearest is based in Brampton, 30 miles away.
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The average price for Swing Bands available in Hamilton, Ontario, Canada is $1,250 (CAD). Swing bands in Hamilton currently range from $350 to $3,950+, depending on group size, performance duration, and specific requirements. Smaller jazz ensembles and duos typically offer more budget-friendly options, while full orchestras with brass sections and multiple vocalists represent premium entertainment costs. Most clients find excellent value near $1,250, which usually includes professional sound equipment, varied repertoire, and the flexibility to adapt performances throughout different segments of an event. Contact the supplier you like for an accurate quote.
Based on 61 enquiries for Swing Bands at events in Canada, made through this site in the last two years. Updated 16 October 2026.
The Kensie Jazz and Dance Band
"Perfect Jazz Band!
Secured The Kensie Jazz Band for our 30th Anniversary corporate event. From start to finish they were perfect. Perfect background music while guests are engaging in the social circuit. Perfect background music while being seated and served for dinner. The band can adjust their sound level to your preference. They play a range of music. A live band is a classy touch and adds ambience to any event rather than a standard DJ. It is a completely different vibe. Nice group of people! Good pricing as well. Thank you!"
Swing Shift Big Band/Wedding Band
"Thank YOU and the band so much - I'm only sorry we cut into your playing time (speeches and photos)! Everyone absolutely loved the band and was blown away by your sets- we'll hope to catch you and the full Swing Shift band at the Rex sometime in the future and buy you a drink!"
Just Us Jazz Band
"Excellent, reliable, and high quality music! John was an absolute delight to work with."
Rick Holland's Uptown Society Orchestra
"All Music Review
Thom Jurek
The title of this set is an apt one. While much of the music presented by the Rick Holland-Evan Dobbins Little Big Band, it hearkens back -- in terms of its sophistication, confidence and outright jazz literacy, not nostalgically -- to an era when progressive jazz, and big bands (this one numbering 10 pieces) flourished on the scene. This is one sophisticated outfit. Featuring the arrangement and compositional skills of Brent Wallarab, Jim Martin, Bill Dobbins and Kerry Strayer, this band struts out the tradition and make some joyous, complex, and elegant music that reflects its own unique identity. The résumés of all these players are impressive and reflected in the confidence of the date. It opens with "SUNY-Triangle," a Martin composition that works its artful sleight-of-hand over Antonio Carlos Jobim's "Triste." Martin uses the rhythmically complex samba and drapes some tough, knotty twists and turns over it. The intro is a beautiful and raucous wake-up call, while the head of the tune, with its staggered entrances and exits -- including some fine soloing by John Viavattine on tenor and John Nyerges on piano -- give this tune a unique identity. "Creature Comfort" is a beautiful mid-tempo ballad by Wallarab with edgeless yet multi-dimensional dissonances written into its harmonics. It swings beautifully and includes a fine, punchy solo by tenorman Glenn Cashman. Besides the originals, there are some fine readings here as well. There's Wallarab's arrangement of Duke Ellington's "Black and Tan Fantasy" that's a thoroughly modern exercise losing none of Ellington's humor or rhythmic complexity. Likewise, Gerry Mulligan's haunting, wee-hours, "Night Lights," is given expert treatment here by Strayer, and Dean Keller's baritone saxophone playing combines Mulligan's sense of lyric and Ben Webster's sense of time. In Time's Shadow reveals that innovation need not sacrifice accessibility or swing. It is convincing evidence that the big band form is alive, well and full of surprises."
James Anthony's Salute to Sinatra
"James Anthony was amazing when he performed for the United States Congress on Capitol Hill in Washington, D.C. He arrived early to rehearse with a 20 piece group of musicians and was a huge hit. The Congress Members and Senators were asking where I found him and we at the Las Vegas Metro Chamber of Commerce absolutely recommend him. Due to popular demand, we brought him back the next year to perform for the US Senate for their annual gala."
The Gumbo Gumbas
"New Orleans is a state-of-mind. Every year around this time of year, Mardi Gras is an explosion of joyousness. You don't have to travel down to Louisiana to feel it. Its spirit resides in Mercer County in a little town called Ewing, where Joe Grillo leads The Gumbo Gumbas on a Cajun holiday all year round. The jump-blues, zydeco, rocl'n'roll, jazz, folk strains and oh such soul are on full display wherever they play. Now you can even share that feeling, that zest for life, that passionate embodiment of the groove, in your own home. Zydeland has to be the feel-good album of the year so far.
Written, arranged, produced, sung and honked on his tenor sax, Grillo imbues Zydeland with a Bourbon Street beat. He's an honorary French Quarter denizen of the night. Of course, there's always time to invoke a little Tom Waits on highlight "Can't Go Back to New Orleans" The colors mix and mingle with tuba, banjo, guitar, violin, viola, cello, trombone, accordion, piano, bass, clarinet, soprano sax, trumpet and that penetration percolation percussion. Excuse me, I got to get on up and do the boogaloo. You just can't set still for this thing."