Browse 1,626 wedding bands available for hire in Seattle, Washington, United States, with 3,474 reviews from real clients rating acts 5 out of 5 on average. Find live wedding music groups from $230, with an average of $1,050, covering everything from small acoustic lineups to full party bands.
Wedding music bands near you offer flexible configurations and broad repertoires, with many groups providing ceremony music, cocktail hour sets, and DJ services alongside their main evening performance.
Of the 1,626 suppliers listed here, 17 are based within 30 miles of Seattle. The other 1,609 are willing to travel there.
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Live wedding bands bring an energy to evening receptions that playlists cannot match. Professional groups near you are experienced at working with local venues, managing sound levels for different room sizes, and keeping guests of all ages dancing. Most acts perform two or three sets of around 45 minutes, with DJ music filling the breaks, and offer extras like acoustic ceremony performances or learning your first dance song.
Start by matching band size to your venue. Duos and trios suit smaller or more intimate spaces, while four to six-piece lineups fill larger reception rooms with a fuller sound. Check demo videos to make sure the band's energy and style match the atmosphere you want. It is also worth asking about the full package: most professional acts include PA equipment, lighting, and MC services as standard, but ceremony music, extended sets, and additional musicians may be priced separately. Bands based near your venue often offer more competitive rates due to lower travel costs.
For Wedding bands in Seattle, fees run from $230 to $3,500+, with an average cost of $1,050. Band size is the biggest factor in pricing, followed by performance duration and time of year. Peak season dates from late spring through early autumn tend to carry higher rates, while midweek or off-season bookings can stretch your budget further. Ask about package deals if you want ceremony music or a late-night DJ set alongside the main performance.
The average price for Wedding Bands available in Seattle, Washington, United States is $1,050 (USD). Above you will also find a budget price and high end price. Contact the supplier you like for an accurate quote.
Based on 1,717 enquiries for Wedding Bands at events in the United States, made through this site in the last two years. Updated 11 October 2026.
Mehfil Nights
"The guys arrived on time, and put the whole vibe together. It was my sister's wedding reception, and they got the whole crowd singing along with them. They were hugely focused on making sure the entire process was smooth. We had a little issue with another vendor, and their person on site stepped up and helped us find a creative solution.
Cant recommend them enough!"
New Age Flamenco
"I've heard the music of New Age Flamenco around Seattle over the years and we got lucky enough to have them at our Ceremony and Reception. Our wedding wouldn't have been the same without Oleg and New Age Flamenco. I won't even go into the basics [of being on time and other common sense], because these guys are simply the best in town. From their professionalism to how reliable they are to the standard of entertainment they provide, I will forever recommend them to anyone holding any event. Oleg wend above and beyond with planning the whole evening with us for literally hours and we couldn't have been more thankful. On top of that, I had the honor to perform with them at our wedding, which was one of my favorite memories through the evening!
Thank you for everything guys!
S.D."
CT Thompson and the Classic Soul Band
"My husband and I heard you sing, “I Want to be Your Teddy Bear,” and we were hooked. Then you sang, “No More Drama,” and we are still driving home and I found your music!!! These songs are making my birthday weekend special !!! Thank You!"
Good Co
"We hired Good Co for our 1920's themed holiday party. They were extremely flexible and accommodating, especially when we asked if they would follow our leadership around the office as they gathered people for the party. Awesome talent, great at judging sound vs space. Our office is pretty echo-y and loud, but they found the right balance immediately. Definitely keeping on the books for next time!"
El Abogado De La Salsa
"I want to said that hired El Abogado de la Salsa band was a really great idea, this is another level of showman , interactive experience,tradition Cuban music , spirit and soul music..a premium performance that usually just happened on the big stage,but it’s actually can be on your private.we are lucky enough to get it!! Thank to all of you and I highly recommend it"
The Booker T Cookbook
"All of this is an admittedly roundabout way of confessing that I wasn't prepared to be as delighted as I am with Go Tell It on the Mountain (Silkheart), an album of traditional hymns and originals with heaven-gazing titles by Booker T. Williams Jr., a New York-based tenor saxophonist originally from Seattle who performs as Booker T. The obsessive soul-searching implicit in the programming suggests an affinity with John Coltrane. But unlike too many of the saxophonists who aim for Coltrane's spiritual elevation, Booker T has a devilish sense of humor best illustrated by his "Say amen, Gracie" drollery on "What a Friend We Have in Jesus," a homey little melody he elongates and fragments with the comic élan of a Sonny Rollins.
In fact, the classic album that Go Tell It on the Mountain most recalls is Way Out West, Rollins's 1958 album of cowboy tunes--and not just because Booker T, like Rollins before him, finds inspiration in unlikely places. It's also because Booker T's interaction with the bassist Saheb Sarbib and the drummer Andrew Cyrille is as carefree and almost as electrifying as Rollins's with Ray Brown and Shelly Manne thirty years ago (or better yet, with Wilbur Ware and Elvin Jones on A Night at the Village Vanguard, from around the same time).
Despite the sarcasm implicit in Booker T's low-register bleats, his performances of "What a Friend We Have in Jesus" and "Jesus Loves Me" exude sincerity, much the way Rollins's interpretations of oddball pop tunes do. For Booker T, as for Rollins, satire is a sign of respect, not condescension.
Booker T is ecumenical: one of the album's most infectious cuts is "Halle Kalle Mazeltov," a hora whose modality he cagily exploits. The Spartan trio format means that Sarbib and Cyrille have to function as soloists as well as rhythm stalwarts, and both men shoulder the added burden gracefully, maintaining melodic continuity in a manner that bassists and drummers seldom do when they solo.
Despite the length of some of the tracks (the title tune, which is just over sixteen minutes, is a Booker T original, not the folk song of the same name), Booker T's solos never deteriorate into self-indulgent braying. His sense of thematic exposition is too well developed for that-another cue he takes from Rollins. (And as if to underscore his lineage, the CD-only bonus track is Rollins's calypso "St. Thomas.") He switches to alto on his own "When Mama Cries I Cry," and his phrasing is impressively speechlike on this lighter horn."