Discover 128 professional crooners available for hire in Cincinnati, Ohio, United States, backed by 269 reviews from real clients averaging 5 out of 5 stars. These smooth jazz vocalists bring sophisticated entertainment to weddings, corporate events, and private celebrations with prices from around $120 and an average of $500.
Of the 128 suppliers listed here, one is based within 30 miles of Cincinnati. The other 127 are willing to travel there.
Based more than 30 miles from Cincinnati, nearest first
No reviews yet
Book from €300 (EUR)
Add to favouritesNo reviews yet Replies in ~1 hr
Book from AED2500 (AED)
Add to favouritesNo reviews yet
Book from $1000 (HKD)
Add to favouritesNo reviews yet
Book from AED5000 (AED)
Add to favouritesNo reviews yet
Book from R10000 (ZAR)
Add to favouritesNo reviews yet
Book from $500 (AUD)
Add to favouritesTell us about your event and we'll suggest suppliers, or talk to our team.
Hiring a crooner singer in Cincinnati typically costs between $120 and $1,450+, with most bookings averaging $500 for professional performances. Pricing reflects performance duration, accompaniment and the performer's experience. Solo crooner performances with piano or backing tracks offer excellent value for intimate events, while full band arrangements are available for clients seeking premium entertainment experiences. Most performers include repertoire consultation and event coordination in their standard fee. Contact the supplier you like for an accurate quote.
Based on 193 enquiries for Crooners at events in the United States, made through this site in the last two years. Updated 10 November 2026.
Bill Groh
"Stevi C.
Delight of the night!
Bill was such an amazing addition to our New Years Eve celebration. He provided several custom arrangements per our request, was a breeze to work with and was a great talent. Definitely recommend!"
Jerry Armstrong Tribute Artist
"Jerry did an amazing job! He was on time and brought all of his equipment, he knew all the songs and sang them very well. He interacted with the crowd, he was very friendly and funny. I would definitely hire him again. -Rachel W, Tinley Park, IL"
Rick Holland's Uptown Society Orchestra
"All Music Review
Thom Jurek
The title of this set is an apt one. While much of the music presented by the Rick Holland-Evan Dobbins Little Big Band, it hearkens back -- in terms of its sophistication, confidence and outright jazz literacy, not nostalgically -- to an era when progressive jazz, and big bands (this one numbering 10 pieces) flourished on the scene. This is one sophisticated outfit. Featuring the arrangement and compositional skills of Brent Wallarab, Jim Martin, Bill Dobbins and Kerry Strayer, this band struts out the tradition and make some joyous, complex, and elegant music that reflects its own unique identity. The résumés of all these players are impressive and reflected in the confidence of the date. It opens with "SUNY-Triangle," a Martin composition that works its artful sleight-of-hand over Antonio Carlos Jobim's "Triste." Martin uses the rhythmically complex samba and drapes some tough, knotty twists and turns over it. The intro is a beautiful and raucous wake-up call, while the head of the tune, with its staggered entrances and exits -- including some fine soloing by John Viavattine on tenor and John Nyerges on piano -- give this tune a unique identity. "Creature Comfort" is a beautiful mid-tempo ballad by Wallarab with edgeless yet multi-dimensional dissonances written into its harmonics. It swings beautifully and includes a fine, punchy solo by tenorman Glenn Cashman. Besides the originals, there are some fine readings here as well. There's Wallarab's arrangement of Duke Ellington's "Black and Tan Fantasy" that's a thoroughly modern exercise losing none of Ellington's humor or rhythmic complexity. Likewise, Gerry Mulligan's haunting, wee-hours, "Night Lights," is given expert treatment here by Strayer, and Dean Keller's baritone saxophone playing combines Mulligan's sense of lyric and Ben Webster's sense of time. In Time's Shadow reveals that innovation need not sacrifice accessibility or swing. It is convincing evidence that the big band form is alive, well and full of surprises."
Rokstedy
"Piano bar every night on Carnival Paradise and Carnival Dream. No place else I’d rather be on a cruise with the talent of Rok. What a great performer"
Lowell Oakley
"Lowell was fantastic, played great Frank Sinatra Style Hits, and other Pop Ballroom/ Latin Music. Our guests loved him! Lowell and his team were incredibly easy to work with and we will have them at future events."
James Anthony's Salute to Sinatra
"James Anthony was amazing when he performed for the United States Congress on Capitol Hill in Washington, D.C. He arrived early to rehearse with a 20 piece group of musicians and was a huge hit. The Congress Members and Senators were asking where I found him and we at the Las Vegas Metro Chamber of Commerce absolutely recommend him. Due to popular demand, we brought him back the next year to perform for the US Senate for their annual gala."