Review Centre: Vintage Themed Bands

"Our long-awaited Dinner & Dance took place last night in the village of Hinton St George, Somerset. The live music from The 19Sixties was excellent and far exceeded our expectations! We’ve had some wonderful feedback today from our revellers. What talented people Russ, Garf & Wayne are! They had most of us up on the dance floor for over two hours! They have a special talent and we will definitely be booking them again in 2020 for another return to the 1960s!! Who needs a time machine!! We REALLY recommend them!"

Rating: 10 / 10 Share this review:

"No Funny Stuff the perfect musical group. Adaptable to every type of event. I have called them for Christmas Parties, Classy Corporate Events, Weddings big and small, Street Festivals and Clubs. I even had them play my personal birthday party. They are very unique and the strange and crazy instruments they build and the huge sound they create, always gets the audience involved and on their feet. As a promoter they come through and my clients praise me every time. "

Rating: 10 / 10 Share this review:

"Gentlemen, Thank you for adding so much to the success of Saturday’s party. You were brilliant – considerate, helpful and a delight to work with and everyone loved your music. Many thanks from all of us"

Rating: 10 / 10 Share this review:

"We love rich, he’s a great performer and would highly recommend… Taken from Google, verified."

Rating: 10 / 10 Share this review:

"It was a fantastic night. They can’t wait to hear you and the band again."

Rating: 10 / 10 Share this review:

"I hired Get Back Beats for a private party. They were prompt and professional. And they were a brilliant band. I will recommend them again as they filled the dance floor with their first song and for the entire evening. A great choice."

Rating: 10 / 10 Share this review:

"Such a variety of music. The most beautiful version of Pachelbel's Canon (specially requested) to walk down the aisle to, a song so close to my heart. And then Disney classics. Outstanding musicians. I cannot recommend enough. You made our day even more magical. Thank you "

Rating: 10 / 10 Share this review:

"Thank you so much for last night! You guys were phenomenal. Nothing but praise from everyone at the wedding. Can't wait to catch you out again at a gig. We will be keeping an eye out for any thing in our area! Thanks to you and the rest of the band! X"

Rating: 10 / 10 Share this review:

"Miss Dolores and her excellent 'combo' played a selected repertoire for our wedding reception in December. We were impressed with the band's flexibility and quality of performance and of course Miss Dolores's beautiful and seemingly effortless singing. So many of our guests commented on the band and congratulated us on choosing them. Miss Dolores looked stunning in a lovely sequinned dress. In planning for the event she was keen to give us what we wanted, offering us an extensive repertoire of American song book, swing, latin, lounge, jive, rock & roll and contemporary songs, based on our initial conversations, and said there were many more to choose from if we needed them! She also recorded the song we'd selected for our 'first dance' so we could practice to it beforehand, which was very helpful indeed. Thank you Miss Dolores, we loved the music and relaxed vibe you generated for us on our special day."

Rating: 10 / 10 Share this review:

"They play the original Retro-Rock n 'Roll, one of the first revolutionary musical forms."

Rating: 10 / 10 Share this review:

"An atmospheric and Christmassy decorated theatre café forms the setting for this year's Yes Jazz Christmas Matinée. It is pleasantly busy. Many music lovers choose the warmth of the Yes Jazz theatre café of De Hofnar on this cold Sunday afternoon. Gipsy jazz is popular and Christmas music always goes down well. When these two come together, you can of course count on a special afternoon. And that is what it will be. The music is beautiful. A beautiful singer and three excellent musicians ensure a beautiful Christmas Matinée. This quartet clearly shows that many different types of music can be cast in the mould of the gipsy style. Django Reinhardt resonates in everything. The tight foundation is audible in Ronald Weel's rhythm guitar and on Daniël Gueli's double bass. You can build on this. The solo guitar and the singer provide the leading parts. Marcia Bamberg stands out because of her clear voice: crystal clear and velvety soft where necessary. The improvisations of the solo guitarist, John Lighart, are smooth and inventive. Sometimes very virtuoso. The repertoire is especially very versatile. From French chansons to well-known jazz standards. Of course, the big Christmas hits are not missing. Night and Day, After you’ve gone, but also Belle Histoire and La vie en rose come in beautiful arrangements from the Yes Jazz stage. Christmas has started well! "

Rating: 10 / 10 Share this review:

"There have been many jazz musicians – saxophonists John Coltrane and George Brooks to name a couple – who have been intrigued by the melodic and rhythmic complexities of Hindustani classical music. Saxophonist Rainer Pusch, how!ever, belongs to the rare breed of Western musicians who have been influenced by Carnatic music. The Carnatic connection came later, but jazz caught Pusch’s interest at an early age. As a 12-year-old learning the tenor sax, a “very bad teacher” scared him into quitting lessons and starting to jam with friends. “At the age of 14 I got into jazz,” he told us. “I heard the first album by [American free jazz saxophonist] Pharaoh Sanders and this album [Pharaoh’s First] kicked me in.” Pusch got completely hooked after his brother smuggled him into The Cave, a jazz club in Heidelberg. “They had jam sessions every Tuesday,” he said. “It was 1968, the time of free jazz, underground music and the hippie era. Heidelberg was the headquarters of the US army in Europe, and there were a lot of army clubs, where I found my first steady work.” Playing for Americans every Friday and Saturday was an ideal start. It was a stroke of luck that Pusch met his “first jazz guru”, saxophonist Pony Poindexter. “Pony Poindexter’s wife worked for the army and they were living in Mannheim at the time,” Pusch said. “Pony had already subbed for Charlie Parker in Billy Eckstine’s big band, recorded with [guitarist] Wes Montgomery, the vocal trio Lambert, Hendricks and Ross, and many others.” Pusch started taking lessons from Poindexter and, after a while, they started performing together. Poindexter was instrumental, in helping Pusch further his jazz education by introducing him to other American musicians. “He knew everybody,” Pusch recalled. “Through him, I met Dexter Gordon. Art Blakey sat in with us when we played an outdoor gig.” Later, in 1977, Pusch stayed with Poindexter in New York, where he met the cream of the city’s jazz scene. “He invited Philly Joe Jones to stay for two weeks in our Lower East Side loft; I met Eddie Jefferson, Bob Berg, Junior Cook,” Pusch said. He also took lessons from George Coleman, who had briefly been part of Miles Davis’s band in the early ’60s. On his return to Germany, Pusch released his first album as leader of his own outfit. However, his connection to America persisted; he would return to earn a degree in jazz composition and arrangement from the Berklee College of Music in Boston, in 1983. Pusch’s first album Journey Agent, released in 1981, was an assimilation of the styles typical of hard bop and post-bop American musicians he had met during the past decade. On the album, his quartet, which included piano, double bass and drums, performed originals and a cover of “Mixing Pot” by Brazilian musician Hermeto Pascoal. Mostly mid-tempo numbers, the tunes ranged from the ballad-like “Scientific” and earthy “B-flat Blues” to funky, Latin-inflected “Mixing”. “I’m influenced by all the players I like to listen to,” Pusch said. “That’s the secret about jazz. It isn’t only music; it’s a philosophy of personal self-development built on tolerance and the art of living in the moment.” He has performed in a variety of formats: duo, trio, quartet and big bands. Pusch is also a composer and arranger who has scored symphonic pieces for films. Pusch’s first major Indian encounter was in the late-’90s, when he performed at the Avignon Theatre Festival in France. “It had a focus on India, and members of the Kalakshetra College of Dance and Music were performing,” he said. “I got in touch with them and decided to go to Chennai to study.” Pusch received a scholarship from ICCR and moved with his family to Chennai in 1996. He would remain there for more than two years, studying Carnatic vocal from S Rajaram and rhythms from V Selvaganesh. “I got into the movie business and performed for many music directors, inclu!ding AR Rahman,” he said. There have been Carnatic saxo!phonists, like Kadri Gopalnath, before him, but Pusch is probably the first Westerner to perform the traditional south Indian style on the sax. He has also arranged compositions by Thyagaraja, Mysore Vasudeva and others, using a rhythm section comprised of guitar, bass and drums. “We respect the raga, but put it in a harmonic frame,” he said. “It’s not the style, but the attitude of the musician that counts. The future of music, art and culture lies in a respectful, well-understood and lived fusion. Not in a commercial, fast food con-fusion.”"

Rating: 10 / 10 Share this review:

"The trio were fantastic! Had a party in our garden and the music they played brought a fabulous atmosphere and vibe to the event ! Highly recommend ! "

Rating: 10 / 10 Share this review:

"Client Review: "One of the most magical parts of our wedding was the music — and we owe that entirely to this incredible jazz ensemble. We were looking for something very specific: not another dance set (we had a DJ for that), but a warm, classy jazz atmosphere for the first part of our celebration — during the ceremony and the cocktail hour. What we received exceeded every expectation." "From the very first contact, communication was smooth and professional. We requested a jazz trio and asked if it would be possible to add a saxophonist for that extra depth. Not only was it possible — the result was beyond beautiful. The group performed a selection of jazz standards we had personally chosen together in advance. They played them with such elegance, heart, and authenticity, it felt like we were in a Parisian jazz bar or a New York club — not on a seaside terrace in Bodrum!" "Our guests were blown away. Many of them said they had never expected to hear such genuine, high-quality jazz in Turkey, and certainly not at a wedding. The saxophone added a soulful touch that made the whole set feel intimate and luxurious at once." "We can't thank this wonderful group enough. Their performance added soul and style to our special day in a way we will never forget. It wasn't just background music — it was an experience." – Olivia & James (Wedding near Bodrum, Summer 2024)"

Reply by Moda Jazz
Thank you so much for your kind feedback, Olivia and James. I hope we helped make your life unforgettable. Wishing you much happiness.

Rating: 10 / 10 Share this review:

"I wholeheartedly recommend Ciarri for any corporate event, private function or venue seeking sophistication and class, with some sultriness. I have worked with Ciarri on many events and her artistry consistently elevated each occasion, leaving lasting impressions on our guests. Her performances—whether on the iconic rooftop of Hotel Raphaël or the exclusive Cité de l'architecture et du patrimoine with panoramic Eiffel Tower views—were warm, unforgettable and stylish at every setting. Ciarri's professionalism, reliability and meticulous attention to detail made her a valued partner and why I worked with her time and time again. Any organization would be fortunate to collaborate with such a dedicated, versatile, and inspiring performer."

Reply by Ciarri Winter
Hello, Thank you Rachel for your kind review and comments. It is always a pleasure to play at these events.

Rating: 10 / 10 Share this review: