"Joka.Violin hat auf unserer kirchlichen Hochzeit und im Festsaal gespielt und einfach alle verzaubert! Sie ist auf all unsere Wünsche eingegangen, hat jeden Moment perfekt musikalisch untermalt und eine wunderbare Stimmung geschaffen. Ihre Musik hat viele unserer Gäste zu Tränen gerührt – einfach traumhaft! Vielen, vielen Dank für diesen unvergesslichen Beitrag zu unserem besonderen Tag!"
Rating: 10 / 10 Share this review:
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"The first time I heard Marini play, I was blown away... she was so beautiful and graceful on that piano! She is extremely talented and musical. She is very kind and gentle with others... I HIGHLY RECOMMEND her!"
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"I have heard Robin’s music over many years. Excellent and heartfelt. Professional and personable. She has played as a saxophone soloist, quartet member, ensemble player. I can’t wait to have her perform again in our area."
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"Bruno was great!, very easy to work with, very flexible with our choices, even providing us samples to listen to proactively ahead of wedding. On the day Bruno and his partner played beautifully and created a wonderful setting that many guests commented on. They were timely, very professional, smartly dressed and a pleasure to work with. Thank you so much Bruno you were great!"
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"The Monte Carlo Pianist is the epitome of refinement and musical artistry. From the welcoming notes at our reception to the final pieces of the evening, his performance enveloped guests in elegance. Every melody, whether classical or contemporary, was executed with precision, warmth, and sophistication. His ability to read the room and adjust the mood seamlessly made the evening feel fluid and natural. The first dance, accompanied by a custom arrangement, was breathtaking—a perfect balance of emotion and technical brilliance. This pianist does more than entertain: he elevates every event into an experience of luxury and distinction. We cannot recommend him enough."
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"thankyou so much for last night you was amazing you really made our trip! and our friend said it was his best birthday ever thanks to you 😁"
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"Some of our guests at the back didn't see you and thought you were a recording! That's how amazing you are, and everyone loved you. Thank you for travelling to Luton and performing for us on our special day. "
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"Omg Dave was absolutely fantastic. His music was just sensational and he’s also a really lovely guy. Really recommended!! (10 / 10)"
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"Michael played at my wedding ceremony and was amazing!! He was able to play the songs I wanted for different parts of the ceremony and everything sounded beautiful. "
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"Lena is a fantastic musician. It was truly a privilege to play alongside Lena and would highly recommend her show."
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"Morganne a énormément aimé son cours avec vous, Gabriel. Elle a notamment apprécié que vous ayez pu l'aider à améliorer son jeu avec seulement quelques conseils. Elle a trouvé que les exercices de relaxation du poignet ainsi que les conseils pour utiliser davantage les bras l'ont beaucoup aidée à se détendre et à moins ressentir les tensions dans le poignet. Nous serons ravis de poursuivre notre collaboration avec vous dès votre retour d'Australie. Cordialement, Morganne et ses parents."
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"Hi Laura, Thank you so much for everything, everything was amazing during the wedding!"
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"Even on a murky February morning (2005), the first performance in July of our new commission doesn’t seem too far away. Jane Roper tells us about the composer and the composition: Howard’s way If you ever get a chance to talk to Howard Haigh about composing, take it. He has a huge range of experience, good insights into the creative process, and he communicates his enthusiasm for his work so well, I guarantee you will be both enthralled and inspired. And now he's working for us! I thought you might like to read a bit of background to his career and to his current commission. Although Howard is happily settled up north in Lancaster he trained near us; a BA Performing Arts/Music at Middlesex Polytechnic was followed by a Masters in Music/Composition at the University of London. He studied composition with Brian Dennis and David Bedford; had tutorials with Michael Finissy, George Benjamin and John Cage, and studied flamenco guitar with Paco Pena, Juan Serrano, Manuel Granados and Titi Losada. We think of him principally as a Spanish guitarist, but he also studied mandolin, keyboards, percussion, harmonica and vocal techniques. He has written for most instrumental combinations, from solo guitar, small ensembles and string quartets to bands, girls’ choirs, large choruses, electronic scores and computer music. Howard combines composing with teaching throughout the north west. He has taught guitar at Lancaster University since 2000. He is a member of the English National Ballet's Education and Community Unit, and is engaged in outreach projects in schools throughout England. The nature of this work may range from musical accompanist to residencies in which he composes an original score for a short performance. He has done similar work for Ballet Rambert and the Royal Ballet. His work has been performed at the Barbican, the Royal Festival Hall, Sadler's Wells (for the Queen) and the Purcell Room; and at festivals in Edinburgh, Brighton, Cheltenham and WOMAD. One of his great strengths is his ability to collaborate with people from a wide range of performing disciplines. I've found out that as well as working closely with singers, dancers, and actors, he has also worked with jugglers, comedians, strippers, a skiffle group, film makers and performance artists. No problem working with us then. And then add a massive list of theatre companies, musicals, community projects and commissions and it's no wonder he's always out when I call. In the 1980's Howard composed some extraordinary pieces using unusual instruments. Body Music used claps, stamps, clicks and slaps. This was followed by Kitchen Music. I bet you didn't know that Alan Titchmarsh played the saucepan in this on Pebble Mill. There was also a pre-Prom show on Radio 3 featuring unusual percussion prior to Evelyn Glennie's performance. But by the late '80s his explorations were focusing on vocal writing. Crouch End Festival Chorus gave him an exciting opportunity when they commissioned him in 1990. I heard them perform Saeta again in the Barbican last January. It was sensational. I can't even remember what the second half standard-repertoire piece was; I was still high on Howard's piece and wanted them to sing it again. "
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" Concert in St.John's the Baptist Church Chester: "Dear Urszula Thank you very much for a lovely performance of the Dvorak. It is a gorgeous cello concerto and I did so enjoy it. I thought you played it extremely well, very poetic especially in those bars towards the end of the last movement. So glad that Dvorak did not allow his cello mentor to put a cadenza here!" Best wishes Alan Lees Conductor. "
Reply by Ursula The Cellist
Alan Lees not Alan Less ,sorry for misteake
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"Mi marido es catalán y yo soy de Canarias nos hemos casado 2 veces, una en Canarias y otra en Cataluña. La boda de Cataluña fue muy sencilla porque él no tiene mucha famiília allí, pero fue preciosa, nos casamos en la capilla de Sant Pedro de Clara de Argentona, es preciosa. Y para la ceremonia tocaron Aloma y Fedor, violín y piano, de La Bona Música. Todo fue muy sencillo gracias a Núria en la organización de la bona música. Gracias por hacerlo mágico chicos!"
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